Tape Op contributor Allen Farmelo sent us this thoughtful piece on why the mag doesn't feature many "negative" reviews. Makes sense to me. I imagine anyone out there wanting us to write reviews ripping apart gear all the time still might come up...
I politely asked Youtube to remove a song by my old band that someone had posted without permission. They took it down but then apologized "sorry about that" and ran my business name as if "blaming me" for removing content. Really? Wow. Pretty...
During this year's SXSW music festival someone asked me how many times I'd been to Austin, Texas, for this event. I had no idea. Eight? Ten? Since the mid-'90s I've certainly attended many times, most as a panelist, but always as a music fan. And...
Garret Haines wrote a thorough review of this UAD plug-in in Tape Op #106. You should read it. Here are a few of Geoff Stanfield’s thoughts on a plug-in that he has come to use and love, not only for its sonic closeness to the original, but...
I'm about to write something that at first will seem like another gray-beard waxing nostalgic for a by-gone analog era. But, stick with me, because I think the tables are turning to where going analog might be as forward-thinking as it gets.
Let's...
My best friend and business partner, John Baccigaluppi, is moving out of the old building that houses his studio The Hangar (along with his Tape Op office) and had been part of his life since 1990. I played on some of the earliest records from...