Ever since Rostam Batmanglij burst onto the scene as a founding member of Vampire Weekend, he’s been known for his penchant for baroque and leftfield sounds in pop-leaning indie music. Fresh out of college, he handled production for the first three Vampire Weekend albums (Vampire Weekend, Contra, Modern Vampires of the City) and was pivotal in shaping their expansive and propulsive sound. Post-VW, he set up shop in L.A. and has carved a path as a...
Interviews
Hana Stretton
Terroir is a term often used in the worlds of food and wine to describe the geographical and environmental conditions of a region, and I would argue that it also applies to music. Not just the way a room sounds, but the geographical and social surroundings around an artist as they write and record a record. The places and things you see and the people you interact with every day can have a huge impact on the music you make; much more really than what kind of microphone you might use. A record made in Las Vegas is likely to sound quite a bit different than a record made in a small rural village in upstate Maine.
I feel like Australian ambient-adjacent folk artist Hana Stretton embodies this concept and embraces and reacts to the environment around her as part of her music-making process. Her first LP, Soon, was recorded in the New South Wales bushland, but for her most recent album, tiarn, she relocated to a small beach town called Tabourie...