Interviews » telephone-talkback-mics

Telephone Microphone: How to Build A Telephone Microphone

You've had the idea — the sound was in your head. You've said to yourself, "Self, I'd sure like to make this voice (guitar, drum kit, etc.) sound like it was recorded with a telephone. But how?" Well, you can futz around with filters, EQ and compression to approximate the sound, or you can make your very own mic from an old telephone. It's the easiest mod you'll ever do.

Step One: Get a phone. The best ones are the old rotary types. Thrift stores have 'em, usually for $3 or less. Specifically, you want a handset that has an un-screw-able mouth-cap and ear-cap. Also, you'll need a decent length piece of mic cable (couple feet — really whatever you want), an XLR jack (or 1/4" if you prefer).

Step Two: Junk the body of the phone. Unscrew the handset parts and toss the speaker in the earpiece. In the mouthpiece is your mic. It's cheap, it's crappy, but it's just what you want.

Step Three: The mic will have two wires coming out of the back. Most that I've seen are attached with screws. Cut 'em or unscrew 'em and attach (screw or solder) your mic cable to the mic. The hot and ground wires go to one, the negative to the other. It shouldn't matter which is which.

Step Four: Thread the mic cable through the hole that once held the twirly phone cord. Screw the handset back together. On some phones you can put the mic into the ear part — generally, the ear-cap has more holes than the mouth-cap — and on some phones you can't do this. You may also want to add some foam or cloth to the inside of the handset to cut down on rattles. Attach the XLR to the other end of your cable and voila: Telephone Mic.

Test carefully a) to make sure you wired it right and b) because these have a pretty hot output. It'll be scratchy and compressed as hell, but sound exactly like you expect it to. Good luck!⁠Tape Op Reel

MORE INTERVIEWS

Jeff Zeigler
INTERVIEWS · ISSUE #171 · Jan 2026

Jeff Zeigler

By Dash Lewis

You’re likely already familiar with Jeff Zeigler’s résumé. He’s produced and engineered records by Kurt Vile, The War on Drugs [Tape Op#102], Laraaji [#141], Chris Forsyth, Nothing, Mary Lattimore [#158], and the list goes on. In recent years, he has taken new creative leaps, shifting his...

Emily A. Sprague
INTERVIEWS · ISSUE #171 · Jan 2026

Emily A. Sprague “I want to share music that shows how real life sounds.”

By John Baccigaluppi

Emily A. Sprague may be best known as the primary songwriter and vocalist for the band Florist, who have released five albums since 2016. But she also composes and records ambient-adjacent electronic music, primarily using modular synthesizers, and is about to release her fourth instrumental...

Jim-E Stack
INTERVIEWS · ISSUE #171 · Jan 2026

Jim-E Stack

By Larry Crane

In 2025, Jim-E Stack (born James Harmon Stack) had three big releases out – Bon Iver's SABLE, fABLE, Lorde's Virgin, and Aminé's 13 Months of Sunshine – that he'd worked on as a producer and co-writer. Living in L.A., he's also worked with Charli XCX, Empress Of,...

Pete Min
INTERVIEWS · ISSUE #171 · Jan 2026

Pete Min Getting Out of Your Own Way

By Larry Crane

Located in (yes) a former meat market, Pete Min calls Lucy's Meat Market in Eagle Rock, Los Angeles, his two room recording studio and home. Artists such as Meshell Ndegeocello, Real Estate, Lake Street Dive, Orville Peck, Chris Dave, The Monkees and others have used his engineering...

Outer Marker Records
INTERVIEWS · ISSUE #171 · Jan 2026

Outer Marker Records

By Larry Crane

With the goal of releasing records recorded at the highest fidelity with minimal processing, Doug Fearn and brothers George and Geoff Hazelrigg began Outer Marker Records a few years ago, using DSD (Direct Stream Digital) recorders as opposed to the more typical PCM (Pulse Code Modulation)...

Liz Pelly
INTERVIEWS · ISSUE #171 · Jan 2026

Liz Pelly Music Streaming: Helping People Think Less

By John Baccigaluppi

Liz Pelly is the author of the book, Mood Machine: The Rise of Spotify and the Costs of the Perfect Playlist. It's a well written and well researched book, and a fun read even though the subject is pretty dark. Spotify, and music streaming in general, have changed not only how we listen...