Gear Reviews

THE MEANS CONTRIBUTE TO THE END. USUALLY.

  • NO. 166

    32Classic MS Mix Strip: 32Classic MS Mix Strip

    REVIEWED BY Daniel Ryan Morse

    Harrison consoles are beloved by many engineers, and after I had the opportunity to work with four of the new Harrison32Classic MS Mix Strips, I understand why. While the Harrisons are not as colorful as offerings by some of the other notable consoles in recording history, they definitely have a...

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  • NO. 166

    iLoud Micro Monitor Pro: iLoud Micro Monitor Pro

    REVIEWED BY Adam Kagan

    Good things come in small packages, and that’s especially true for theiLoud Micro Monitor Pro. IK Multimedia first made waves with their iLoud Micro Monitors, which combined a compact form factor with professional-grade sound. Building on that success, they introduced the iLoud MTM monitors [Tape...

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  • NO. 166

    PX2 Transformer Interface: PX2 Transformer Interface

    REVIEWED BY Stefan Konstantopoulos

    After decades of manufacturing measurement tools and consumer electronics in England, Pye Audio merged with Phillips in 1960, forming Pye TVT Limited. Their studio technologies impacted an era of seminal records from the late ‘60s through the mid-‘70s. Then, the brand was curiously dissolved in...

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  • NO. 166

    Pro-Q 4 Plug-In: Pro-Q 4 Plug-In

    REVIEWED BY Dave Hidek

    Since its release in 2018, FabFilter’s Pro-Q 3 [Tape Op#132] has become one of the most used, if notthemost used, EQ plug-ins for professionals and enthusiasts alike. Seven years later,Pro-Q 4offers several new features and updates, giving FabFilter fans everywhere a reason to celebrate. From new...

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  • NO. 166

    MBSI Channel Strip Plug-In: MBSI Channel Strip Plug-In

    REVIEWED BY Kirt Shearer

    I’ve always been fascinated with the history of recording studios, the evolution of analog gear,andMCI equipment. There was one particular MCI console that almost seemed mythical: The so-called “Hotel California” console at Criteria Recording Studios in Florida. Criteria’s MCI really can’t be...

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  • NO. 166

    Nuvo N28 Stereo Ribbon Mic: Nuvo N28 Stereo Ribbon Mic

    REVIEWED BY Matt Anderson

    When AEA released their first stereo mic, the R88 [Tape Op#96], in the early 2000s it was quite a statement. Other companies, such as Royer Labs, were fairly new to the scene, and ribbon mics seemed to be making a comeback out of nowhere. I remember looking at the R88’s size and design and being...

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  • NO. 166

    Needles and Plastic (book): Needles and Plastic (book)

    REVIEWED BY Larry Crane, Larry Crane

    Here are books I enjoyed reading that cover two important underground music scenes that may have escaped some folks’ notice.Needles and Plastic, subtitledFlying Nun Records, 1981-1988, is an exhaustive tome by Matthew Goody. It discusses every record released by the New Zealand label Flying Nun...

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  • NO. 166

    PUNISHR 500 Series Saturator: PUNISHR 500 Series Saturator

    REVIEWED BY Brian Tarquin

    Malcolm Toft [Tape Op#26,#165] began his career as a recording engineer at the legendary Trident Studios in London in 1968, then went on to found Trident Audio Developments, creating the initial Trident A Range consoles and many others to follow. After leaving Trident in 1988, Malcolm founded...

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  • NO. 166

    D-1 Multi-Path DAC: D-1 Multi-Path DAC

    REVIEWED BY Larry Crane

    In April 2023, John La Grou, founder/owner of Millennia Media, dropped me a line about a new audio technology venture he was working on, with the caveat that I could not tell anyone what he was up to. Later that year, he asked if I was interested in becoming a beta tester for his new HDR-A...

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  • NO. 166

    Knife Drop Fuzz/Synth Stompbox: Knife Drop Fuzz/Synth Stompbox

    REVIEWED BY Larry Crane

    Jack White [Tape Op#82] likes a certain guitar tone, right? A fuzz with a low octave and maybe some high octave piercing tone. Union Tube & Transistor hooked me up with their collab Third Man Bumble Buzz guitar pedal years ago, and I love the fact that it has no knobs and a perfect Jack White...

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  • NO. 165

    D3V Active Monitors: D3V Active Monitors

    REVIEWED BY John Baccigaluppi

    For over a decade, I’ve been using a pair of Tascam VL-M3 [Tape Op#77] monitors with my Universal Audio Apollo Twin [#101] interface for in the box editing and overdubbing in my small home office studio space. They’ve served me well, sounding better than built-in computer speakers or cheap...

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  • NO. 165

    P420 Microphone: P420 Microphone

    REVIEWED BY Geoff Stanfield

    I have a list of microphones that I recommend for people looking for good quality that doesn’t cost an arm and a leg. Most of these people are hobbyists, making home recordings for themselves or dipping their toes into the wild waters of recording. My go-to list includes mics from Audio-Technica,...

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