I first heard about JZ microphones years ago when my friend, singer Leah Siegel (Firehorse), gave me a BH-1 Black Hole [Tape Op #71] mic she’d received as partial payment for a session. She...
With the current market for analog audio hardware crowded with clones of coveted pieces, the myriad of redundancies can be a drag once you tire of the usual suspects and begin to seek new tonal...
At $199, the Aston Element is a very affordable mic, but by no means is it cheap gear. That is to say, the value at this price point is immeasurable. An expertly crafted microphone paired with a...
Four years ago, Black Lion Audio introduced the B173 [Tape Op #100], their single-channel take on a British-style preamp at a wallet-friendly price. Last year, their B173 Quad improved on the design...
It’s time to open up about those empty spaces in our 500 Series racks – it feels like a sickness inside you, doesn’t it? Every time you see a shadowy gap or blank panel in your rack,...
As gear reviews go, this is a pretty easy one to write, as the issue isn’t whether or not this is an excellent product. It most definitely is, which shouldn’t be a surprise to anyone who...
The Useful Arts BF-S PRO DI is everything you’d expect in a high-quality, all-tube, single-channel studio DI. Besides the IEC power receptacle on the back, all connections are on the front...
I’d been curious about Marshall Terry’s passive/active EQ beast with hieroglyphic-looking markings since before the pandemic hit. He pulled me over to his booth a few years ago during the...
When I was asked to review an Ear Trumpets Labs microphone, I jumped at the opportunity. I’ve always been attracted to their vintage-style designs and have had good experiences with their Edwina...
I’ve always been a big fan of Chameleon Labs’ gear. They were one of the first companies to bring classic audio designs into the realm of affordability. I’ve owned a pair of their...
For some time now, I’ve been on the hunt for a mastering-grade A/D converter to capture the summed stereo output of my Shadow Hills Industries Equinox [Tape Op #55] for printing final mixes back...
We’re huge fans of Eventide over here at High Bias Recordings. Eventide units have been an integral part of the sonic fabric here both on the front end with the Rose [Tape Op #133], Blackhole...
Subtitled “The People and Processes Behind Self-Recorded Music,” this is a beautiful, hardbound coffee-table-style tome about making recordings that matter. Featuring excellent photos by...
