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Welcome to issue #166 of Tape Op.

Recently, I randomly stumbled across a social media post advising people on how microphones work. It claimed that the closer the mic was to the source, the more accurate the sound would be. Despite the poster's seemingly authoritative tone, this type of information presents only a very simplistic tidbit of the actual knowledge of what one needs to know when choosing and placing microphones.

Where does the sound originate from? Is this the type of mic (cardioid or figure-eight) that builds up proximity effect? Is there a brighter or duller part of the instrument or amp that you need to consider? Do you need room ambience in the sound for it to work better? I considered posting a rebuttal, but soon decided against getting involved in one of those pointless internet conflict scenarios.

I've spent the last 30 years unlearning many "rules" I read long ago about mic usage in didactic books and articles. Put up a mic, listen, determine if it works for what's needed, and adjust accordingly. Then do it again on the next source. Next time, try different mics and think about how the sounds work together in new ways. This is how we learn. So ignore these often clueless "advice givers" of social media and teach yourself. Carve your own path!


— LARRY CRANE,EDITOR & FOUNDER

Larry Crane's signature

IN THIS ISSUE

Daniel Tashian
Mar 12, 2025 NO. 166 Interviews

Daniel Tashian: Having Fun

In 2017, one of my best friends, Craig Alvin [Tape Op #137], kept texting me about a record he was engineering. He was saying how amazing the process was, and how awesome the results were. The album t...

Tim Oliver
Mar 12, 2025 NO. 166 Interviews

Tim Oliver: Listen & Be Patient

Tim Oliver is the "Senior Consulting Engineer" at Peter Gabriel's Real World Studios [Tape Op #63] in the English countryside. With over 40 years of experience, Oliver has worked with a who's who of B...

Urian Hackney
Mar 12, 2025 NO. 166 Interviews

Urian Hackney: Punk in The Box

A little over a decade ago, the A Band Called Death documentary brought cheers and tears to music fans worldwide, telling the fantastic tale of proto-punk band Death's rediscovery. Having been fortuna...

Azalia Snail
Mar 12, 2025 NO. 166 Interviews

Azalia Snail: Completely Herself

Azalia Snail's recording career began with a TASCAM recorder running on batteries in the forests outside of New York City. From those early, carefree experiments, she has continued to embrace creation...

Daughter
Mar 7, 2025 NO. 166 Interviews

Daughter: The Middle Farm Session

Daughter's Stereo Mind Game was one of my top five albums of 2023, and a record I listen to fairly often. The songwriting, interesting layered production and arrangements, along with vocalist Elena To...

Greg Sage: Zeno Studios and The Wipers
Jan 19, 2000 NO. 166 Interviews

Greg Sage: Zeno Studios and The Wipers

I first discovered The Wipers in a basement record shop in Southeast Portland. I picked up Silver Sail, and was blown away by the sonic quality. I quickly found myself buying all The Wipers' albums I...