Harrison consoles are beloved by many engineers, and after I had the opportunity to work with four of the new Harrison 32Classic MS Mix Strips, I understand why. While the Harrisons are not as colorful as offerings by some of the other notable consoles in recording history, they definitely have a...

Ben and Veronica Sneesby have been making mics in Australia for nearly 25 years (the name derives from Ben’s nickname in high school). Some of their mics have been designed as modernized clones of classic originals (e.g., Neumann U 47, Telefunken ELA M 251, etc.), while others are original designs...

I reviewed the RTM (Recording The Masters) 1/4-inch SM900 tape back in Tape Op #161, was very pleased with it, and have since used it for a few more mixing sessions. Then, at the 2024 NYC AES show, I bumped into Matt and Tim from RTM, and they gave me a few of their C60 and C90 Type One cassette...

In April 2023, John La Grou, founder/owner of Millennia Media, dropped me a line about a new audio technology venture he was working on, with the caveat that I could not tell anyone what he was up to. Later that year, he asked if I was interested in becoming a beta tester for his new HDR-A...

Since its release in 2018, FabFilter’s Pro-Q 3 [Tape Op #132] has become one of the most used, if not the most used, EQ plug-ins for professionals and enthusiasts alike. Seven years later, Pro-Q 4 offers several new features and updates, giving FabFilter fans everywhere a reason to celebrate. From...

I’m a big fan of using audio equipment originally designed for radio and other broadcast purposes to work on recording music in the studio. This gear is typically of extremely high build quality and is easy to use since in a broadcast context any interruption can be a major problem that could cause...

Fun trivia: The Audio Engineering Society’s (AES) Pro Audio Reference Guide provides three definitions of the word feedback, one being “the longest word in the English language that uses all the letters 'A' through 'F.'” On a more practical point, the AES Guide also defines feedback as “the...

Good things come in small packages, and that’s especially true for the iLoud Micro Monitor Pro. IK Multimedia first made waves with their iLoud Micro Monitors, which combined a compact form factor with professional-grade sound. Building on that success, they introduced the iLoud MTM monitors [Tape...

Jack White [Tape Op #82] likes a certain guitar tone, right? A fuzz with a low octave and maybe some high octave piercing tone. Union Tube & Transistor hooked me up with their collab Third Man Bumble Buzz guitar pedal years ago, and I love the fact that it has no knobs and a perfect Jack White...

Here are books I enjoyed reading that cover two important underground music scenes that may have escaped some folks’ notice. Needles and Plastic, subtitled Flying Nun Records, 1981-1988, is an exhaustive tome by Matthew Goody. It discusses every record released by the New Zealand label Flying Nun...

I’ve always been fascinated with the history of recording studios, the evolution of analog gear, and MCI equipment. There was one particular MCI console that almost seemed mythical: The so-called “Hotel California” console at Criteria Recording Studios in Florida. Criteria’s MCI really can’t be...

In writing this review, I realized it's been over 30 years since I was introduced to my first TASCAM product: The Porta One Ministudio. That little 4-track cassette recorder planted the seeds for countless multitrack creations. It wasn't long after exploring and outgrowing the capabilities of my...

When AEA released their first stereo mic, the R88 [Tape Op #96], in the early 2000s it was quite a statement. Other companies, such as Royer Labs, were fairly new to the scene, and ribbon mics seemed to be making a comeback out of nowhere. I remember looking at the R88’s size and design and being...

A few years ago, I had a water leak somewhere on a 600-foot-long pipe. There was no wet ground to give the leak away, and I even tried water witching/dowsing to locate it! No dice. Enter the AudioTech Probe, whose motto is: "You can hear what you've been missing." Described as a "Diagnostic...

For decades, I've wondered how the effect on the female backing vocals of Pink Floyd's "Time" from The Dark Side of the Moon was created. I hear a Leslie speaker vibrato or Doppler effect, but it's more focused and clearer in the high frequencies than that kind of re-amping ever gets. It seems to...

Malcolm Toft [Tape Op #26, #165] began his career as a recording engineer at the legendary Trident Studios in London in 1968, then went on to found Trident Audio Developments, creating the initial Trident A Range consoles and many others to follow. After leaving Trident in 1988, Malcolm founded...

After decades of manufacturing measurement tools and consumer electronics in England, Pye Audio merged with Phillips in 1960, forming Pye TVT Limited. Their studio technologies impacted an era of seminal records from the late ‘60s through the mid-‘70s. Then, the brand was curiously dissolved in...

Here are books I enjoyed reading that cover two important underground music scenes that may have escaped some folks’ notice. Needles and Plastic, subtitled Flying Nun Records, 1981-1988, is an exhaustive tome by Matthew Goody. It discusses every record released by the New Zealand label Flying Nun...