Contributor

Daniel Ryan Morse

danielryanmorse.com

Cab Mic guitar mic

Gear Review | No. 171

Cab Mic guitar mic

Jan 9, 2026

What’s the best kind of microphone for recording electric guitar? On first glance, this seems like a straightforward question, but dig in a bit and...

88C VCA dual compressor/limiter

Gear Review | No. 167

88C VCA dual compressor/limiter

Jun 13, 2025

VCA compressors are generally fast. Almost any other observation about them would depend on which one you’re talking about. Some are fairly...

32Classic MS Mix Strip

Gear Review | No. 166

32Classic MS Mix Strip

Mar 15, 2025

Harrison consoles are beloved by many engineers, and after I had the opportunity to work with four of the new Harrison 32Classic MS Mix Strips, I...

Topline Vocal Suite Plug-In

Gear Review | No. 165

Topline Vocal Suite Plug-In

Jan 15, 2025

Universal Audio’s Topline Vocal Suite offers an entire vocal chain’s worth of UAD analog effects in a single Native plug-in. Rather than overwhelm...

Smooth Operator Plug-In

Gear Review | No. 163

Smooth Operator Plug-In

Sep 15, 2024

I recently discovered that my mixes sounded a bit thinner than I wanted because of a buildup in presence frequencies (4 to 6 kHz). Looking for a...

T10S Active Subwoofer

Gear Review | No. 163

T10S Active Subwoofer

Sep 15, 2024

I’m nearing the end of a search for a new monitoring setup in my small home studio (aka spare bedroom). I fell in love with the ADAM Audio A7Vs [Tape...

Verve Analog Machines Plug-In

Gear Review | No. 162

Verve Analog Machines Plug-In

Jul 15, 2024

Universal Audio recently released a saturation and coloration UAD Native plug-in named Verve Analog Machines. Verve is a bit of a departure and...

RAY Condenser Mic

Gear Review | No. 162

RAY Condenser Mic

Jul 15, 2024

LEWITT is one of the most innovative and thoughtful microphone designers right now. In a sea of manufacturers churning out knock-off mics, they stand...

PURE TUBE Condenser Microphone

Gear Review | No. 156

PURE TUBE Condenser Microphone

Jul 15, 2023

I try a different vocal microphone on just about every record I make. Some are technically great, but too sterile for my taste. Others – particularly...

Sub10 MK2 Active Subwoofer

Gear Review | No. 156

Sub10 MK2 Active Subwoofer

Jul 15, 2023

When I tested the ADAM Audio A7V nearfield monitors , I also acoustically measured my control room for the first time. It brimmed with...

SSL 12 Interface

Gear Review | No. 155

SSL 12 Interface

May 15, 2023

Ever since I acquired a rack-mounted DAW interface, I didn’t think I had much need for a smaller, portable interface. However, when I recently had...

A7V Active Monitors

Gear Review | No. 153

A7V Active Monitors

Jan 15, 2023

Like many home recordists, I work out of the smallest bedroom in my house: a glorious 10 x 10 x 8-foot room. Palatial, it is not. My “control room”...

Clarett+ 8Pre Interface

Gear Review | No. 148

Clarett+ 8Pre Interface

Mar 10, 2022

I’ve been fiercely loyal to my older computer audio interfaces, ignoring the glut of new options over the years. Yes, I’ve had to buy a host of...

Artistic 500 Series EQ

Gear Review | No. 145

Artistic 500 Series EQ

Sep 10, 2021

When I recently reviewed the Fredenstein Bento 8 500 series chassis , the company kindly included a clutch of their own 500 Series units...

P-47 SS Condenser Microphone

Gear Review | No. 143

P-47 SS Condenser Microphone

May 15, 2021

Nothing captures the boom of a kick drum’s resonant head or the growl of a bass cab quite like a Neumann U 47fet . A well-placed dynamic...

You've reached the end of the content.