Kid Harpoon
Tom Hull, better known as Kid Harpoon, has produced, co-produced, and co-written with an impressive list of high-profile artists over the last 15 years or so, including Harry Styles, David Byrne, Kin...
ISSUE ARCHIVE
Jan/Feb 2026
In April this year, Tape Op will be 30 years old. There's no big get-together celebration planned, nor is this an issue packed with retrospectives. We are proud of what Tape Op has accomplished over these three decades, and John Baccigaluppi and I are very appreciative of everyone who has joined us on this journey and contributed to the magazine. What surrounds us is more than a publication or a website, but a community of people who believe in music as an artform and support and enjoy creative musicians and recordings. When I first photocopied and stapled a stack of Tape Op issue #1, I had no idea this would become such a huge part of my life, how long it would last, or how much it would mean to others. Thanks to every reader, contributor, and advertiser who has been part of this. It really does mean a lot to us that people enjoy it and care.
Speaking of care, as I was editing Andy Hong's Gear Geeking column about ice, coffee, hot water, and rechargeable batteries for this issue, it started me thinking about all the amenities that recordists and artists need around themselves in order to do their best work. I'm not just talking about professional recording studios, but in any situation where one is expected to be creative, focus for long hours, and keep a positive outlook, some basic needs should be met. Amenities such as drinking water, coffee and tea, a fridge, comfortable seating, appropriate lighting, phone and laptop chargers, notepads, pens and pencils, a working internet, and maybe even an icemaker – something my studio finally has after 29 years of operation!
Let's keep everyone comfortable, creative, collaborating, and productive with their music. We'll continue to put great new art out into the world. And remember, as Kid Harpoon says in this issue, "Make music that you love."
— LARRY CRANE,EDITOR & FOUNDER
Tom Hull, better known as Kid Harpoon, has produced, co-produced, and co-written with an impressive list of high-profile artists over the last 15 years or so, including Harry Styles, David Byrne, Kin...
It’s Sunday night in Manhattan at Irving Plaza, and Dan “The Automator” Nakamura takes the stage behind a mouthwatering wall of synths, across from Kid Koala [Tape Op #159] and his three turntables. D...
James Krivchenia is best known as the drummer for the band Big Thief. But prior to sitting on the drum stool with that band, he put in quite a bit of time as an engineer and producer in a variety of r...
"They said that the little man couldn't do it. 'Oh, you can't dig 35 feet below your home.' But I did it, one step at a time, man." Thus began our conversation with Robert Lang. Outside of Seattle – i...
Clarissa Connelly, the Scotland-born, Copenhagen-based composer, first captured audiences’ attention with her 2018 release, Tech Duinn, and has been creating medieval-tinged multidimensional soundscap...
On the suggestion of Tape Op's Sales & Operations Director, Corey Reidy, I decided to check out the career of Jeff Rosenstock. His early bands, The Arrogant Sons of Bitches and Bomb the Music Industry...
In my hometown of Portland, Oregon, there are a number of talented engineers, producers, mixers, mastering engineers, gear builders, studios, and more. It's a thriving community of creative people, if...
Making Singin’ to an Empty Chair I first heard the Chicago-based band Ratboys via their track “Black Earth, WI,” and if you haven't heard them that’s a great place to start. The eight and half minute...