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V1 dynamic microphone

Gear Review | No. 171

V1 dynamic microphone

Jan 9, 2026

The folks at Soyuz have been making noise for the last decade or so and releasing top-quality and extremely functional gear, presenting audio in a...

Lakeside Mic Preamp

Gear Review | No. 164

Lakeside Mic Preamp

Nov 15, 2024

In a climate where it sometimes seems like a race to the bottom, with companies trying to build the cheapest audio outboard equipment they can, it’s...

H44 Ribbon Mic

Gear Review | No. 160

H44 Ribbon Mic

Mar 15, 2024

The first thing you see when encountering Alder Audio’s H44 online is their slogan: A Better Ribbon For Less. This statement may seem underwhelming...

Blackhole Reverb Pedal

Gear Review | No. 143

Blackhole Reverb Pedal

May 15, 2021

Reverb can be a divisive and personal issue among engineers and musicians. Everyone has a favorite, and people are absurdly particular and become...

023 Bomblet FET Mic

Gear Review | No. 140

023 Bomblet FET Mic

Nov 15, 2020

Russian-made mics have been a healthy part of my recording life since the mid-'90s. Back in the days when the local six-string retail chain had...

MP500A 500 Series Mic Pre

Gear Review | No. 133

MP500A 500 Series Mic Pre

Sep 15, 2019

When I asked a handful of reviewers to consider writing about Hamptone's 500 Series JFET microphone preamp, the prolific Don Gunn from Seattle...

Rose Modulated Delay Pedal

Gear Review | No. 133

Rose Modulated Delay Pedal

Sep 15, 2019

It's no real secret how I feel about Eventide. As I'm writing this, I'm fresh off of an insane 36-hour road trip to and from...

KU5A Ribbon Microphone

Gear Review | No. 133

KU5A Ribbon Microphone

Sep 15, 2019

It's no secret I'm a big fan of AEA microphones. When my studio High Bias Recordings first opened the Michigan Ave. location, I bought a...

EuroDDL Eurorack Delay

Gear Review | No. 130

EuroDDL Eurorack Delay

Mar 15, 2019

As an engineer in my mid-40s, Eventide is one of those iconic companies I grew up with. First seeing gear ads in magazines and studio shots, and then...

KSM8 Dualdyne Dynamic Mic

Gear Review | No. 119

KSM8 Dualdyne Dynamic Mic

May 15, 2017

My original plan was to write a typical Andy Hong review of the new Shure KSM8 mic, with measurements and thoughts from empirical testing...

Aeon & Klasik Active Monitors

Gear Review | No. 116

Aeon & Klasik Active Monitors

Nov 15, 2016

Speakers are hugely important to what we do as engineers. I can hear the collective "Duh!" — as you all read this. This has only recently...

N8 active ribbon mic

Gear Review | No. 109

N8 active ribbon mic

Sep 16, 2015

One of the many things I love about owning a studio and making records is the bonding we do with our clients during the intense collaborations we...

Colour Box preamp/EQ pedal

Gear Review | No. 107

Colour Box preamp/EQ pedal

May 16, 2015

The use of effect pedals at the mixing board is by no means a new thing. I remember studio owners thinking I was crazy in the '90s when I...

Two-V dual mic preamp (500-series)

Gear Review | No. 102

Two-V dual mic preamp (500-series)

Jul 15, 2014

The Two-V is a double-wide, two-channel preamp module for the 500-series format. It comes painted battleship grey with minimal markings denoting the...

Sweet Ten 500-series rack

Gear Review | No. 100

Sweet Ten 500-series rack

Mar 15, 2014

The 500-series market has seen a flood of new products, to say the least. I keep waiting for Dyson to come out with a 500-series vacuum. Or maybe...

500-series Analog Delay

Gear Review | No. 100

500-series Analog Delay

Mar 15, 2014

I tend to think of things in reference to a chronology of gear purchases. Like, "Oh yeah, we had just gotten that mic when we tracked those...