Looking forward to seeing many of you at this year's AES convention in NYC!
CLICK HERE to get your free badge courtesy of Tape Op!
Looking forward to seeing many of you at this year's AES convention in NYC!
CLICK HERE to get your free badge courtesy of Tape Op!
There were so many great records released this year, in fact too many to make a definitve and exhaustive list, but here are a few favorites from the Tape Op family. Consider it a tasting menu and have a great holiday! Click link to listen! Larry...
Reader Mike Petkau dropped a line about the cool site and collaboration he started: "I wanted to point you to a project I've currently wrapped up. For 16 weeks, every Wednesday, I've brought 3 very different musicians from different backgrounds to...
I just finished reading your article, "My Unwritten (Until Now) "Rules" in the studio," Tape Op #85. Let me offer up a few words of wisdom on your well-written points. - Don't play music by other artists: In 1978 I was working with a...
This may be the most indispensable tool in my studio. I hear people say that converters don't matter and that most cannot hear the difference. Bullsh*t! If you cannot accurately hear what you are doing you are making uninformed choices. They call...
I liked your end rant - what they didn't tell you in school - and I generally concur. For better or worse, I generally do things differently than the way students are taught in other classes, an approach that is perhaps more likely to cause trouble,...
In line with Andy Hong's list of gear (issue #66) he's reviewed in the past that he still finds amazing, here's a list of stuff I was using this last month that I think deserves special credit for the amount of times I fall back on these pieces and...
Michael Cozzi (Guitarist/Producer Shriekback, Sky Cries Mary etc... ) dropped us a line about his newly built Moscozzi Studio in Seattle. he says, "I was able to complete it on a shoestring budget using largely re-salvaged materials." Luckily for...
Okay, I'll admit I vote for the Grammies. Yup. Why? Besides the sometimes odd spectacle of the Grammy Awards, NARAS does some cool stuff in the music community (like the Seattle Studio Summit), MusiCares and the Producers and Engineers Wing. So I do...
When I graduated from college, I dove headlong into restaurant work in order to survive. I had a degree in Visual Communications and a minor in Art from an un- prestigious college, but near the end of my studies I'd begun playing bass in a band...