Yup, I sit at my computer all day editing articles, writing stuff for the mag and answering the ridiculous amount of emails that always seep in over the course of a day.
illus by Eva Kihl
Tape Op is a bi-monthly magazine devoted to the art of record making.
With 3 number one albums in 2012, Grammy winning mix engineer Ruadhri Cushnan is at the top of this game. Shortly after Mumford and Sons' album "Babel" was awarded 'Album of the Year' at the Grammys, Ruahdri made time in his busy schedule to chat...
Quantegy , despite the oddity of still being an active link, posted this announcement recently: "Plans are being formulated for the revival of Quantegy 499 Gold Studio Mastering and GP9 Platinum Studio Mastering audio products, as well as the Black...
Berklee College of Music sponsored a recent Tape Op newsletter and it got me thinking about music schools. In terms of my personal recording path, I learned on my own through trial and error and via mentors. You can read a little bit about that...
Tape Op Magazine’s founder and editor, Larry Crane, has been mixing songs and albums for people from all over the United States and the world for over 20 years. Many of these sessions are unattended, and here’s a glimpse into his...
Your magazine was not the first place I'd seen Count's "I Have a Credit Problem" essay [Tape Op #89], but I feel compelled to respond.
I agree with his general ideas - credits should be shown, and the current "album experience" in the digital...
Caro Snatch did this interesting online interview with Robert Henke from Monolake on her site. An interesting note is that he created this album, Silence, "without any compression." Well, yeah, uh, if you work in the box and want to draw/automate...
I couldn't have said it better myself. In fact, I say this all the time. Drop by Jim Powers' Music Shrink website and read his articulate post on the subject.