Below is a Guest Post from Jim Janik:
Album Credits Are Just As Important As the Money We Make (maybe more so)
by: Jim Janik
Have you ever googled yourself? I have. In fact, I have to. Like many freelancers in the music industry, it's just one of...
My pal Ethan Winer is half of the company Real Traps and hosts a page of all sorts of articles and information about acoustics and control rooms at this site: Real Traps
One of my favorite pieces nearly ended up in Tape Op Magazine but after I...
A reader just informed me that APPLE's recent Logic Pro X includes "Drummer", a virtual drummer plug-in. One of the virtual drummers is named "aidan", who apparently cannot find the CAPS key on his virtual MacBook. In Aidan's "Portland Kit" we...
by John Baccigaluppi
The music industry trade shows, and the NAMM Show in particular, have always been a mixed bag for me. Every year, for the last 20 years or so, Larry and I, along with Geoff, Scott, and Marsha (We miss you Andy, Dave, and Laura!)...
I'm about to write something that at first will seem like another gray-beard waxing nostalgic for a by-gone analog era. But, stick with me, because I think the tables are turning to where going analog might be as forward-thinking as it gets.
Let's...
Gurf Morlix (Tape Op # 76) recently released a 15 song collection of songs written by his longtime friend and runnin' buddy, Blaze Foley - Blaze Foley's 113th Wet Dream. The CD has been released in conjunction with the...
Here’s something I don’t think we’ve covered in Tape Op before, but reader Tony Butterworth has created the Home Made Hit Show, where he uploads podcast shows filled with songs from home recordists. Great idea, and it’s nice...
I got an email the other day from a PR person looking for Tape Op to write an article about several "known" engineer/producers and their drum recording techniques in the studio. These guys are known, and one of them we've written about and I think...