Vinyl 101 - Preparing Your Release for Vinyl from Telegraph Mastering on Vimeo.
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The solution, clearly, is more dissonance
by Vijith Assar
It's not Idol, technically, but America's Got Talent and its dentally-impaired overseas cousin are still franchises helmed by Simon Cowell, who I think we can all agree has become somewhat of a figurehead for shitty pop music and...
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Why Did I think This Would Be Easy?
by Larry Crane
Why did I think I could set up my home studio in a couple of hours when it took four months to move Jackpot! to a new building? Tomorrow's shopping list: Solder, S/PDIF cables, etc... I'm amazed at how tangled and messy this quickly got. All I...
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WIN PRIZES! TAPE OP PARTY SXSW GOODIE BAG GIVEAWAY!
by Larry Crane
Hey lucky Tape Op website forager: I've got an extra goodie bag from the Tape Op Party we held in March during SXSW. I don't have the full selection of swag, but I'll thrown in a couple of the SoundToys "special tin can of awesomeness" items which...
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End Rant Continued...
by Geoff Stanfield
In editor Larry Crane's recent End Rant [Tape Op #127], he talked about how people are currently learning recording techniques, all of the misinformation on the internet, and how this leads to the homogenization of music making in general. All of the...
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Avid and Pro Tools
by Larry Crane
Wall Street PR reports on the woes of Avid, the company behind Pro Tools. What does the future hold? I'm just terrified of having to learn a new platform, buying more gear and software, and there not being a de facto DAW standard for professional...
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Wooden Reverb? Treeverb?
by Larry Crane
I think it's for real? Is it? What is it? Why? See Barry Rudolph's report on Treeverb
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Going to SXSW in March?
by Larry Crane
I'll be doing a "Quickies 6: In the Studio" panel-type thing at SXSW on Saturday, March 20th, 11:00 AM, at the Austin Convention Center, Room 16A. I think you have to sign up for this, so check their website for more info. It'd be cool to meet some...
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The Story Behind Issue 135's Cover
by Geoff Stanfield
This issue’s cover is an homage to the Pink Floyd song “Echoes,” from the album Meddle. The idea came to me after I saw Brian T. Silak’s photo of Jack Antonoff’s vintage tape delays, as the Binson Echorec...