Tape Op contributor Allen Farmelo has written a fairly in-depth post regarding his processes for capturing and processing sounds on his wonderful blog. Check it out. I bet even some experienced engineers will take note of some of the ideas Allen puts...
Below is a Guest Post from Jim Janik:
Album Credits Are Just As Important As the Money We Make (maybe more so)
by: Jim Janik
Have you ever googled yourself? I have. In fact, I have to. Like many freelancers in the music industry, it's just one of...
Larry Crane adds an update to Marc Alan Goodman's orginal review of the Burl B80 Mothership.
Marc Alan Goodman says in his original review, “It's rare to find a single piece of gear that elevates not only my entire...
Al Kooper produced this band in the '80s. They really knew how to argue - with him, with each other and probably with anyone in a ten-mile radius. Al edited out the music and kept the wonderful conversation, releasing it on one of his limited (300...
Gurf Morlix (Tape Op # 76) recently released a 15 song collection of songs written by his longtime friend and runnin' buddy, Blaze Foley - Blaze Foley's 113th Wet Dream. The CD has been released in conjunction with the...
Garret Haines wrote a thorough review of this UAD plug-in in Tape Op #106. You should read it. Here are a few of Geoff Stanfield’s thoughts on a plug-in that he has come to use and love, not only for its sonic closeness to the original, but...
Fire Extinguishers in the Studio - [Note to our EU readers. I don't know if the U.S. letter conventions apply in your locale, but the fundamental suggestions in this post are universal.]
It’s a really smart idea to have a couple of fire...