Blog
"A Recording Studio is No Place For Democracy"
by Larry Crane
I couldn't have said it better myself. In fact, I say this all the time. Drop by Jim Powers' Music Shrink website and read his articulate post on the subject.
I couldn't have said it better myself. In fact, I say this all the time. Drop by Jim Powers' Music Shrink website and read his articulate post on the subject.
At Jackpot! we use the service from Greendisk. They send us a cardboard box and we toss used CD-R/DVD-R media, cords, old cell phones, cables and printer cartridges. A pretty cool service and not too expensive.
Subconscious Auditory Effects (SAE) is a term I have cobbled together to encapsulate a broad range of phenomena in this barely-studied field of inquiry. An SAE is any measurable effect on a person caused by a sound, or change in sound, that is...
Check out the latest gear giveaways from our advertisers and enter to win! Retro Intruments 500 Pre Giveaway! Enter to Win a 500PRE Here! Audix Mics and Headphones Giveaway! Enter to Win Audix Mics and Headphones! Baby...
Vinnie Castaldo was in the new issue of Tape Op. Check out his reviews of his two fave educational DVDs. -LC Trust Your Ears: The Drum Tech Explorations of Jeff Ocheltree If you’re like me, always getting stuck tuning drums before a session,...
Justin Douglas of King Electric Recording in Austin, Texas compiled some good thoughts on all the stuff nobody likes to talk about but really, really should! Check it out here:Studio Etiquette: Everything Your Engineer Wants You To Know But Is...
Larry’s intro to issue #71 was one of his most important notes for engineers in a long time. It’s easy to press play, but not pay attention to the audio hitting our ears. (Have you ever read a book and found your eyes are scanning over...
I'm in the middle of cataloging 1.5 TB of audio files. This is the work I do for the Estate of Elliott Smith. Two computers keep Pro Tools on the top one and FileMaker Pro and Excel for track sheets on the bottom one. Otherwise the MacBook Pro...
Garret Haines wrote a thorough review of this UAD plug-in in Tape Op #106. You should read it. Here are a few of Geoff Stanfield’s thoughts on a plug-in that he has come to use and love, not only for its sonic closeness to the original, but...