Yup, I sit at my computer all day editing articles, writing stuff for the mag and answering the ridiculous amount of emails that always seep in over the course of a day.
illus by Eva Kihl
Tape Op is a bi-monthly magazine devoted to the art of record making.
THE ERA OF HI-RES DIGITAL AUDIO IS HERE
I’ve been watching the rise of hi-end digital audio recently, and as I put the individual pieces together over the past year or so a picture is emerging that has inspired me to claim that we are...
In a fascinating and really open Facebook debate initiated by fellow producer, cycling enthuiasist, and coffee-drinking pal, Eric Ambel (www.ericambel.com), I was alerted to what was finally a clear insight into how and why Spotify could possibly...
With the release of Lawrence "Larry" Crane's Craniostomy Vol. Two, Tape Op's founder gives us a glimpse into his home recordings from 1983 to 1985. Cassette decks and odds and ends were harnessed into making these tracks, and revisiting them in...
John Caroll Kirby - Septet
It is a great time for music and recording. The pandemic drove many artists into their bedrooms and living spaces to make recordings and others figured out ways to get into studios safely. I get a load of new...
Hey lucky Tape Op website forager: I've got an extra goodie bag from the Tape Op Party we held in March during SXSW. I don't have the full selection of swag, but I'll thrown in a couple of the SoundToys "special tin can of awesomeness" items which...
This looks to be an interesting event. I'd go if I was in the area that week! -Larry
ASSOCIATION FOR RECORDED SOUND COLLECTIONS 45th Annual Conference - May 11-14, 2011 Wilshire Grand Hotel, Los Angeles
One hundred and thirty...
As we exit the era of digital audio data compression and begin the ascent into higher sample rates for consumer consumption (via multiple platforms, though most popularly Neil Young's PONO system), we are finding ourselves as a community of...