I just got an email from a company telling me that I need to buy the new version of a product of theirs - I already own the one that came out several years ago. I guess the $3000 I invested in their hardware wasn't enough, and now I need to buy a new one? It's as if they admit that the original wasn't that great. Seems sorta odd. Thoughts?
Tape Op is a bi-monthly magazine devoted to the art of record making.
A few months back while on a call with Tape Op publisher John Baccigaluppi, he mentioned that he was working on an album project where the majority of the sounds were generated by his cat Raspy. That is not to say that Raspy actually sat down...
Maybe its a party. Maybe its a dinner party. Maybe you run into people on the street. But you know the situation: You are with your significant other. And you run into another audio-type with his/her/its significant other. Instead of being...
Our pal, Marc Bianchi of Her Space Holiday is guest editing Magnet Magazine this week. He has some nice things to say about Tape Op, and as one of our original readers we thank him for the log time support and writing about us. Plus adding the video...
By Justin Douglas
When you hear a particularly moving piece of music, and you get that little chill that runs from the top of your scalp down your spine, that’s a specific network in your brain logging that music into your memory....
During this year's SXSW music festival someone asked me how many times I'd been to Austin, Texas, for this event. I had no idea. Eight? Ten? Since the mid-'90s I've certainly attended many times, most as a panelist, but always as a music fan. And...
by John Baccigaluppi
The music industry trade shows, and the NAMM Show in particular, have always been a mixed bag for me. Every year, for the last 20 years or so, Larry and I, along with Geoff, Scott, and Marsha (We miss you Andy, Dave, and Laura!)...