James Goss has interviewed many independent record store owners across the country to see how they stay in business and what they sell. Every month a new store will be profiled with interviews and photos. Pretty fun. Here's the link: Vinyl Lives
Tape Op is a bi-monthly magazine devoted to the art of record making.
More good stuff from Brittany Howard and Shawn Everett on the making of Brittany's new album Jaime
Read the whole interview with Brittany and Shawn HERE
Al Kooper produced this band in the '80s. They really knew how to argue - with him, with each other and probably with anyone in a ten-mile radius. Al edited out the music and kept the wonderful conversation, releasing it on one of his limited (300...
We're thinking of printing some bumper stickers to help promote the Tape Op brand name. Our ideas have included:
"My Other Car is a Tape Op"
"My Child is an Honor Student at Tape Op"
"Honk if You're Tape Op"
"I'd rather be reading Tape...
Joe McGinty has Carousel Studio in New York. Here his pal Amy Hobby gathered 20 young ladies to knock out a great version of Mike Oldfield's "Tubular Bells" on film featuring Joe's INSAME collection of vintage keyboards. This film is the best...
A lot of you have probably heard the term “microphonic tubes.” But have you ever heard one in action? They actually turn into little microphones. (Hence the name).
So, this week I decided to replace the input tubes on my Manley...
Dear Tape Op reader:Some folks might not know how inextricably connected Tape Op editor Larry Crane's recording studios have been to the history of Tape Op Magazine. His first home studio, Laundry Rules, was in a Portland basement at 33rd and...
Interviews, Stories, and the Truth
by Larry Crane
In Tape Op issue #53 I interviewed Brian Kehew and Kevin Ryan, authors of the then-recently released book, Recording The Beatles. One of the topics we discussed was interviewing...
The worldwide COVID-19 situation is affecting us all at this moment. Years ago I was a gigging musician and restaurant worker, and I feel I essentially still live a gig economy life - depending on Tape Op and studio bookings for personal income....