More good stuff from Brittany Howard and Shawn Everett on the making of Brittany's new album Jaime
Read the whole interview with Brittany and Shawn HERE
Like any war, the loudness wars are a total mess brought on by territorial tendencies amongst those who fear losing their place in the world. And like a real war, the loudness wars cause people to throw rational thought out the window and replace it...
Studio Engineering and Recording – School of Music, Dance and TheatreHerberger Institute for Design and the Arts at Arizona State University
The School of Music, Dance and Theatre at Arizona State University seeks an exceptional...
I came across Blitzen Trapper's self-titled debut album back in 2003, and have followed their career and counted myself as a fan since. I interviewed the band's leader, songwriter, and producer Eric Earley about his 2020 release, Holy Smokes Future...
This looks to be an interesting event. I'd go if I was in the area that week! -Larry
ASSOCIATION FOR RECORDED SOUND COLLECTIONS 45th Annual Conference - May 11-14, 2011 Wilshire Grand Hotel, Los Angeles
One hundred and thirty...
Steve AlbiniRemembered by Larry Crane
On Jan 19, 1987, I clambered aboard a yacht in Emeryville, CA, to interview Steve Albini and the band Big Black for BravEar Magazine, a conversation that unfortunately was never published due to the mag folding...
Support the Future of Music Coalition!
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The FMC is "a small, Washington, D.C.-based non-profit that fights to get musicians a seat at the table in debates about the future of music. FMC's HINT (Health Insurance Navigation Tool) program,...
Video Release: James Supercave "Burn"
What follows may be one of the best answers to the "So, how'd you guys meet?" question we have ever heard. Producer, engineer, and oft-recorded bassist (Black Keys, Ryan Adams, Norah Jones) Gus Seyffert was...
Your magazine was not the first place I'd seen Count's "I Have a Credit Problem" essay [Tape Op #89], but I feel compelled to respond.
I agree with his general ideas - credits should be shown, and the current "album experience" in the digital...