We interviewed Meridian Brothers mastermind Eblis Álvarez for Tape Op issue #158, and they have just released their new album, Mi Latinoamérica Sufre, featuring singles and videos "Sé Que Estoy Cambiando" and "Mandala".
Here's a clip of a rare Rolling Stone interview with the Lizard King talking about making records around 2 1/2 minutes in.
“I could never produce ... because I don’t have the patience for it. I think that’s the main thing. Who's...
Gurf Morlix (Tape Op # 76) recently released a 15 song collection of songs written by his longtime friend and runnin' buddy, Blaze Foley - Blaze Foley's 113th Wet Dream. The CD has been released in conjunction with the...
Years ago John Fischbach, a well-established and respected producer/engineer, came to my studio to record an album that our mutual friend, Luther Russell, was producing. [See Tape Op #21.] In those days my studio, Jackpot! Recording, was a diamond...
In issue #62, Josh Boughey reviewed the Monome 40h, a minimalist button-and-light interface which can be used to run musical applications. It's absolutely captivating in its simplicity; I'm writing this as an outsider, but as far as I can tell, the...
(text from the Scotty Hard Trust website): Scott Harding is a highly accomplished New York City based music producer, engineer, and performer. Over the course of 20+ years, his rich and varied career has taken him to Africa, Europe, North America...
Our friend and Tape Op contributor Neal Casal left us one year ago today on August 26, 2019.
Since then, a team of his close friends dug into the archive of music and photography he left behind to create items raising awareness and funds...
Well, not my maker but the man behind the baby that is our RND5088 console at Jackpot! I got to spend a little time (and a photoshoot) with Rupert Neve at The Magic Shop in NYC during the AES convention last week. Thanks to Steve Rosenthal for...
Speaking of the art world, reader Halsey Burgund sent a link to his installation that “involves some unconventional recording techniques, mainly doing it wirelessly and using lots of open-source and customized software.” Looks like fun...
"...from what I have seen, the industry is fatally flawed. Everyone seems to want something for nothing and few are willing to pay for what something is actually worth. Plus, there are thousands of graduates flooding recording studios each year...