Woodland is the name of Gillian Welch and David Rawling’s studio in Nashville, and it’s also the name of their new album. On Woodland, the duo continue to show their deep connection as collaborators. The album has a wide open sound that features their seemlessly blended and intimately recorded vocals, and the light touch of a backing band that includes drums, bass, pedal steel, banjo, and airy strings on tunes like "What We Had" and "Hashtag". "Lawman" and "The Bells and the Birds" have a lovely somberness, and the album as a whole has a "live off the floor" feeling to it that we hear less and less of these days. Woodland will stay in our "recently played" column for the forseeable future.
We interviewed Gillian and Dave back in 2001 for Tape Op #85.
Tape Op is a bi-monthly magazine devoted to the art of record making.
Geoff Stanfield and Andy Hong add an update to the original Meris Mercury7 Reverb review by Adam Kagan.
GS: I am a fan of the Meris line of gear. They are a small shop who builds their high-quality modules in Los Angeles. I have reviewed the Meris...
MFNW Music & Technology Panel Announced for Portland Digital eXperience
August 16, 2012 - Portland, OR -- The first year of Portland Digital eXperience at the 2012 MFNW will feature a special music and technology panel with some of...
Ina previous blog post, we saw the beginnings of this project. Damian Wagner was in issue 64 - here's a crazy project where he's amplifying the sound of the earth! "After destroying 3 subwoofers and having to completely redesign the
playback engine I...
Al Kooper produced this band in the '80s. They really knew how to argue - with him, with each other and probably with anyone in a ten-mile radius. Al edited out the music and kept the wonderful conversation, releasing it on one of his limited (300...
Come see The Wrecking Crew film at Hollywood Theatre in Portland on Saturday May 8th. There are a number of other screenings happening coming up. I shared the stage with director Denny Tedesco and watched his film in Cleveland recently, It's an...
During one of the many calls I have on a regular basis with my musician and audio professional friends, it dawned on me what a priveldge these conversations are and thought it might be a good idea to share them with a larger audience as a way to take...
Malian guitarist Mdou Moctar's new release, Funeral for Justice, is a wild ride. From the almost Iron Maiden-sounding moments of the title track "Funeral for Justice", to the frentic energy of "Sousoume Tamacheq", to the ethereal and more...
It's not Idol, technically, but America's Got Talent and its dentally-impaired overseas cousin are still franchises helmed by Simon Cowell, who I think we can all agree has become somewhat of a figurehead for shitty pop music and...