Woodland is the name of Gillian Welch and David Rawling’s studio in Nashville, and it’s also the name of their new album. On Woodland, the duo continue to show their deep connection as collaborators. The album has a wide open sound that features their seemlessly blended and intimately recorded vocals, and the light touch of a backing band that includes drums, bass, pedal steel, banjo, and airy strings on tunes like "What We Had" and "Hashtag". "Lawman" and "The Bells and the Birds" have a lovely somberness, and the album as a whole has a "live off the floor" feeling to it that we hear less and less of these days. Woodland will stay in our "recently played" column for the forseeable future.
We interviewed Gillian and Dave back in 2001 for Tape Op #85.
Tape Op is a bi-monthly magazine devoted to the art of record making.
"I sent a package to you several months ago containing some music I asked you to evaluate for me. I respect your background and was hoping that you personally might allow for cutting out a spare hour to do me this favor. Since I never heard from you...
Steve Daubenspeck and Greg Freeman are Ancient Farmers and their new album is called Seventh Heaven.
Greg Freeman was featured in Tape Op #1, and had previously recorded two albums for Tape Op founder Larry Crane when he was in the band Vomit...
Vinnie Castaldo was in the new issue of Tape Op. Check out his reviews of his two fave educational DVDs. -LC
Trust Your Ears: The Drum Tech Explorations of Jeff Ocheltree
If you’re like me, always getting stuck tuning drums before a session,...
We interviewed Jim Keller of Sondhus in issue #142. Sondhus (SAHN - duss) is an architectural acoustics design and build firm specializing in recording studios. They have designed and built studios for the likes of Depeche Mode, Apple, Heba Kadry,...
In a fascinating and really open Facebook debate initiated by fellow producer, cycling enthuiasist, and coffee-drinking pal, Eric Ambel (www.ericambel.com), I was alerted to what was finally a clear insight into how and why Spotify could possibly...
I got an email the other day from a PR person looking for Tape Op to write an article about several "known" engineer/producers and their drum recording techniques in the studio. These guys are known, and one of them we've written about and I think...
It is often challenging within a review period to fully explore a piece of gear and integrate it into the daily workflow. It's not that reviewers won't use the feature set and put it to task in at least a few applications, but to truly get to know...
Interviews, Stories, and the Truth
by Larry Crane
In Tape Op issue #53 I interviewed Brian Kehew and Kevin Ryan, authors of the then-recently released book, Recording The Beatles. One of the topics we discussed was interviewing...