Read the Tommy Brenneck Tape Op Interview
Larry’s intro to issue #71 was one of his most important notes for engineers in a long time. It’s easy to press play, but not pay attention to the audio hitting our ears. (Have you ever read a book and found your eyes are scanning over...
"I sent a package to you several months ago containing some music I asked you to evaluate for me. I respect your background and was hoping that you personally might allow for cutting out a spare hour to do me this favor. Since I never heard from you...
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Vinyl 101 - Preparing Your Release for Vinyl from Telegraph Mastering on Vimeo.
I'm in the middle of cataloging 1.5 TB of audio files. This is the work I do for the Estate of Elliott Smith. Two computers keep Pro Tools on the top one and FileMaker Pro and Excel for track sheets on the bottom one. Otherwise the MacBook Pro...
With the release of Lawrence "Larry" Crane's Craniostomy Vol. Two, Tape Op's founder gives us a glimpse into his home recordings from 1983 to 1985. Cassette decks and odds and ends were harnessed into making these tracks, and revisiting them in...
I think it's for real? Is it? What is it? Why? See Barry Rudolph's report on Treeverb
I've pulled together a collection of recent thoughts I've had about the recording process. You can agree or not agree. The important thing is to use your ears, mind, and creativity to make great recordings. Recording equipment...
I.R.S. Actually, its an acronym for the Internal Revenue Service. And for our Non-U.S. readers, please enjoy the fun. I recently spent December through April undergoing a multiple year audit or our studio’s financials. I want to share...
Subconscious Auditory Effects (SAE) is a term I have cobbled together to encapsulate a broad range of phenomena in this barely-studied field of inquiry. An SAE is any measurable effect on a person caused by a sound, or change in sound, that is...
