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Check out Ross Healy's VICMODBLOG on analog modular synths. He interviews "people who build and sell modular gear and forgotten electronic musicians." Cool stuff.
Here's a recent email I received: "I am interested in what you do and how you do it. I guess I am not the average person looking to get into audio engineering. I am 44 and I am an anesthesiologist looking for a second career. I am an audiophile,...
We interviewed Jim Keller of Sondhus in issue #142. Sondhus (SAHN - duss) is an architectural acoustics design and build firm specializing in recording studios. They have designed and built studios for the likes of Depeche Mode, Apple, Heba Kadry,...
Hey Tape Op Readers! The AES Show will be online this year and you can get your FREE AES SHOWCASE pass (Showcase is from Oct 19 - 23 and will be on-demand until January) by using VIP code AES2020TapeOp at checkout! Offer good until Sept...
I love this series of simple video interviews with Rupert Neve from Rupert Neve Designs. Here he discusses creating his first transistor-based mixer.
Matt McGlynn over at the informative Recording Hacks site has a section devoted to Tape Op mic reviews. Not all of them are up yet, and we're not quite sure why he wanted to tackle this project (crazy? smart? nice guy?) but it's up there. Now I can...
This issue’s cover is an homage to the Pink Floyd song “Echoes,” from the album Meddle. The idea came to me after I saw Brian T. Silak’s photo of Jack Antonoff’s vintage tape delays, as the Binson Echorec...
Across more than 100 tracks, MEMPHIS captures Elvis from the earliest stages of his career at Sun Records/Memphis Recording Service to his final recordings in Graceland’s Jungle Room, with stops at other iconic studios such as American and...
Malian guitarist Mdou Moctar's new release, Funeral for Justice, is a wild ride. From the almost Iron Maiden-sounding moments of the title track "Funeral for Justice", to the frentic energy of "Sousoume Tamacheq", to the ethereal and more...
