At Jackpot! we use the service from Greendisk. They send us a cardboard box and we toss used CD-R/DVD-R media, cords, old cell phones, cables and printer cartridges. A pretty cool service and not too expensive.
A few months back while on a call with Tape Op publisher John Baccigaluppi, he mentioned that he was working on an album project where the majority of the sounds were generated by his cat Raspy. That is not to say that Raspy actually sat down...
Larry Crane adds an update to Marc Alan Goodman's orginal review of the Burl B80 Mothership. Marc Alan Goodman says in his original review, “It's rare to find a single piece of gear that elevates not only my entire...
Remember Henry Hirsch from issue ? He's moved locations yet again, and his new studio (in Hudson, NY) looks fabulous. Check it out here. An unreal space and an amazing engineer/producer.
Al Kooper produced this band in the '80s. They really knew how to argue - with him, with each other and probably with anyone in a ten-mile radius. Al edited out the music and kept the wonderful conversation, releasing it on one of his limited (300...
You saw it here first! In this video, we step into Adrian Quesada's (Black Pumas, Grupo Fantasma) Electric Deluxe Studio for an in depth breakdown of "Mentiras Con Cariño, the single from his latest release Boleros...
The Smart Studios Story Wendy Schneider, director At this point, Butch Vig [Tape Op #11] and Smart Studios are the stuff of legend. From the album that destroyed music’s status quo (Nirvana’s Nevermind), to Smashing Pumpkin's Gish...
Reader Brent E (bcengels at yahoo dot com) sent in some cool links about audio. The possibility of and “acoustic cloak” is discussed. The future of studio soundproofing? Music and Auditory illusions are discussed in the New Scientist
I thought I'd seen it all until I heard about collectors that pass around bootlegged copies of the test tones and bias pads from all genres of artists and albums. From an article in MOJO this month: "Sorting their collections by "tones at head" or...
