My pal Ethan Winer is half of the company Real Traps and hosts a page of all sorts of articles and information about acoustics and control rooms at this site: Real Traps One of my favorite pieces nearly ended up in Tape Op Magazine but after I...
This looks to be an interesting event. I'd go if I was in the area that week! -Larry ASSOCIATION FOR RECORDED SOUND COLLECTIONS 45th Annual Conference - May 11-14, 2011 Wilshire Grand Hotel, Los Angeles One hundred and thirty...
Every few years it seems time to give a brief explanation of how Tape Op Magazine "works." We constantly get letters from folks who are amazed that this magazine arrives to them for free. Well, it's actually very simple: you pay for...
Many Tape Op readers likely can’t imagine that issue #1 was Xeroxed and hand-folded 28 years ago, but it was. People may think of us as DIY, but there’s a long history of so many helping this magazine be its best, beginning with friends...
Here's a tip that costs nothing for materials, might be good for the environment, and can save some headaches down the road. I don't know about you, but our Postal Delivery Person insists on bundling our mail in rubber bands (gum bands for our...
Tape Op will once again have a booth at the AES show in San Francisco, CA October 27-29, so please come say hi if you are at the show! To make it easier for you to attend the show, we are once again giving away free badges to the exhibition area of...
Check out this interview with our own Larry Crane in Spanish language audio magazine Audioforo! Read it HERE
Art is Alive is a solidarity effort aimed at providing resources, spreading awareness and building connectedness within the artistic and creative freelance communities impacted by the 2020 COVID-19 pandemic. Created by artist Rhiannon Giddens, and...
Malian guitarist Mdou Moctar's new release, Funeral for Justice, is a wild ride. From the almost Iron Maiden-sounding moments of the title track "Funeral for Justice", to the frentic energy of "Sousoume Tamacheq", to the ethereal and more...
