Check out this interview with our own Larry Crane in Spanish language audio magazine Audioforo!
Read it HERE
Studio Engineering and Recording – School of Music, Dance and TheatreHerberger Institute for Design and the Arts at Arizona State University The School of Music, Dance and Theatre at Arizona State University seeks an exceptional...
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Hello Friends, Yes the rumours are true! We are happy to announce the release of the Tape Op iPad app! And for those folks that are not Apple product users don't despair, there is an Andriod version coming soon. You can log in using...
In a fascinating and really open Facebook debate initiated by fellow producer, cycling enthuiasist, and coffee-drinking pal, Eric Ambel (www.ericambel.com), I was alerted to what was finally a clear insight into how and why Spotify could possibly...
My pal Ethan Winer is half of the company Real Traps and hosts a page of all sorts of articles and information about acoustics and control rooms at this site: Real Traps One of my favorite pieces nearly ended up in Tape Op Magazine but after I...
On May 31st, 2022 we lost synthesis pioneer Dave Smith. Tape Op contributor Alex Maiolo wrote this lovey tribute to remember him by.-GS Don Buchla, Robert Moog, Tom Oberheim, Delia Derbyshire, Peter Zinovieff, Roger Linn, Hiroaki Nishijima,...
Cedric Burnside performs "Love Her 'Til I Die" for the OneMic Series!
We interviewed Meridian Brothers mastermind Eblis Álvarez for Tape Op issue #158, and they have just released their new album, Mi Latinoamérica Sufre, featuring singles and videos "Sé Que Estoy Cambiando" and...
So I just noticed an email in my inbox from a PR person with the headline: "XXXXX MICS FEATURED IN THE BEATLES?: ROCK BAND? VIDEO GAME". What's next? "Shure SM57 seen briefly in a movie"? "Rob Thomas sings into wrong side of a mic in a video"? Oh...
Garret Haines wrote a thorough review of this UAD plug-in in Tape Op #106. You should read it. Here are a few of Geoff Stanfield’s thoughts on a plug-in that he has come to use and love, not only for its sonic closeness to the original, but...
