There are Giorgio Morodor vibes on tracks like "Volume" and plenty of driving four-on-the floor beats with bubbling basslines throughout. Tempos on the whole are edgy, sometimes hyper and unsettled, but it maintains a grooviness that will keep the dancefloor full of undulating bodies.
I was fortunate enough to get an Apogee Duet 2 recently. This device hooks up to your computer's USB port (and is powered from there) and allows you to monitor audio. I'm not gonna go into all the details, see our review of the original Duet. At...
After 20 years at the Davis Square location (and a previous 15 years on Albany Street), Boston’s Q Division Studios had to close its doors in July of 2021. Through the years, Q Division was host to a diverse group of artists, including Aimee...
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RZA releases A Ballet Through Mud, an orchestral work of 11 pieces performed by the Colorado Symphony Orchestra, and conducted by Christopher Dragon. Sam Retzer did an extensive interview with RZA in the most recent issue of Tape Op, discussing...
Check out Ross Healy's VICMODBLOG on analog modular synths. He interviews "people who build and sell modular gear and forgotten electronic musicians." Cool stuff.
Your magazine was not the first place I'd seen Count's "I Have a Credit Problem" essay [Tape Op #89], but I feel compelled to respond. I agree with his general ideas - credits should be shown, and the current "album experience" in the digital...
Yup. And here's the video. Funny as shit. "Thanks AutoTune!"
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Legendary British sound engineer and producer Andy Johns has died at the age of 61. During his more-than-thirty-year career, Johns worked with some of rock music's biggest names, engineering records for Led Zeppelin, The Rolling Stones, Eric...
We interviewed John Cale in issue #156 around the time of his previous release, Mercy. He has just released POPtical Illusion, a collection of synth and keyboard heavy tunes that carry a heavy, and at times angry message about the state of the...
