There are Giorgio Morodor vibes on tracks like "Volume" and plenty of driving four-on-the floor beats with bubbling basslines throughout. Tempos on the whole are edgy, sometimes hyper and unsettled, but it maintains a grooviness that will keep the dancefloor full of undulating bodies.
So here it is. The fateful letter that relentless talent scout and A&R honcho John Baccigaluppi sent to my band Vomit Launch back in 1988. Little did we know that soon we'd be holed up in his studio making records, and less than a decade later...
June 21st marked the release of a new Menahan Street Band EP, Tropical Man. We interviewed band member Tommy Brenneck for Tape Op issue #147. Tropical Man is a six song EP that has just two songs, but multiple versions/mixes of each. Both...
Bass player Herbie Flowers had a front row seat for some of the most iconic recordings of the late sixties and seventies. He played on a staggering number of classic albums from artists such as David Bowie, Elton John, George Harrison, Harry...
From Kitchen Op Magazine's letters section: I just wanted to write in to chime in on the debate about home cooking. As a professional chef, with many years of time invested in learning my craft and thousands of dollars...
Garret Haines wrote a thorough review of this UAD plug-in in Tape Op #106. You should read it. Here are a few of Geoff Stanfield’s thoughts on a plug-in that he has come to use and love, not only for its sonic closeness to the original, but...
This issue’s cover is an homage to the Pink Floyd song “Echoes,” from the album Meddle. The idea came to me after I saw Brian T. Silak’s photo of Jack Antonoff’s vintage tape delays, as the Binson Echorec...
This looks to be an interesting event. I'd go if I was in the area that week! -Larry ASSOCIATION FOR RECORDED SOUND COLLECTIONS 45th Annual Conference - May 11-14, 2011 Wilshire Grand Hotel, Los Angeles One hundred and thirty...
I couldn't have said it better myself. In fact, I say this all the time. Drop by Jim Powers' Music Shrink website and read his articulate post on the subject.
Okay, I'll admit I vote for the Grammies. Yup. Why? Besides the sometimes odd spectacle of the Grammy Awards, NARAS does some cool stuff in the music community (like the Seattle Studio Summit), MusiCares and the Producers and Engineers Wing. So I do...
