We interviewed Meridian Brothers mastermind Eblis Álvarez for Tape Op issue #158, and they have just released their new album, Mi Latinoamérica Sufre, featuring singles and videos "Sé Que Estoy Cambiando" and "Mandala".
That’s right, somehow a lowly engineer and magazine editor that can’t even type has been asked to read some excerpts from Tape Op: The Book About Creative Music Recording Vol. II and moderate a panel at world-renowned literary event,...
Via the Village Voice and meta-via Brooklyn Vegan comes the tragic news that the NYC recording studio operated by Daptone Records was burgled last night, with a remarkable amount of main brain Gabe Roth's vintage gear lost. Even...
My pals Scott and Lindsey have a fantastic record store in Portland, OR called Exiled Records. Lindsey and I used to be in the Vomit Launch band mentioned below. This store is super hand-picked cool music - lots of out there shit, cool dub reggae,...
Garret Haines wrote a thorough review of this UAD plug-in in Tape Op #106. You should read it. Here are a few of Geoff Stanfield’s thoughts on a plug-in that he has come to use and love, not only for its sonic closeness to the original, but...
It's that time of year again! The Grammy nominations are out and it's always fun to see a bunch of folks we have interviewed in Tape Op on the list. Here are the nominee's for Best Engineered Album, Non-Classical:
Lucky Daye...
With the release of Lawrence "Larry" Crane's Craniostomy Vol. Two, Tape Op's founder gives us a glimpse into his home recordings from 1983 to 1985. Cassette decks and odds and ends were harnessed into making these tracks, and revisiting them in...
Tape Op Magazines and the Tape Op Book Vol. II are featured in the reading materials section of the "Sonic Youth, etc: Sensation Fix" traveling art exhibition. Thanks, Sonic Youth!
"The exhibition Sonic Youth, etc: Sensation Fix focuses on the...
For his new release, Honey, Caribou's Dan Snaith (Tape Op #35, #105) wears his Detroit techno influences on his sleeve, and uses AI to explore and reimagine vocals as well as manipulate his voice, to create an album of dance tracks that...
"First off, I really enjoy reading Tape Op. I have read it since I was in 8th grade (2001)."
I never imagined I'd get an email that began like this. I will be 46 in May. Tape Op entered its 14th year in April. Jackpot! Recording Studio is over 14...