Come see The Wrecking Crew film at Hollywood Theatre in Portland on Saturday May 8th. There are a number of other screenings happening coming up. I shared the stage with director Denny Tedesco and watched his film in Cleveland recently, It's an amazing look at the session players in LA that made so many hit songs. Really great film.
That’s right, somehow a lowly engineer and magazine editor that can’t even type has been asked to read some excerpts from Tape Op: The Book About Creative Music Recording Vol. II and moderate a panel at world-renowned literary event,...
I’ve been a fan of the band Nada Surf for several decades now. They’re one of the few bands from the 1990s that have continued to make catchy, smart, guitar-based pop music that also managed to stay relevant, releasing records in 2024...
Tape Op will once again have a booth at the AES show in San Francisco, CA October 27-29, so please come say hi if you are at the show! To make it easier for you to attend the show, we are once again giving away free badges to the exhibition area of...
Ivan Anderson reviewed the Red Panda BitMap 2 pedal in the latest issue of Tape Op, but he also makes great and highly entertaining videos for many of his reviews. Enjoy!
I’m still shocked at the passing of Martin Phillips of The Chills. He made a number of songs and albums that truly inspired me and many others. Please check out the interview I did with him in 1997, and listen to his song “Pink...
http://articles.chicagotribune.com/2008-07-09/features/0807080422_1_rolling-stone-new-yorker-classical-music-magazine It's an eclectic collection and somehow we made the cut. We're guessing it was an inside job... Thanks Chicago!
Like any war, the loudness wars are a total mess brought on by territorial tendencies amongst those who fear losing their place in the world. And like a real war, the loudness wars cause people to throw rational thought out the window and replace it...
Years ago John Fischbach, a well-established and respected producer/engineer, came to my studio to record an album that our mutual friend, Luther Russell, was producing. [See Tape Op #21.] In those days my studio, Jackpot! Recording, was a diamond...
