Larry Crane and Geoff Stanfield discuss Bus Processing in the new episode of Creative Recording with Tape Op! Be sure to head on over to our YouTube channel and hit the subscribe and like buttons! Episode made possible with support from BURL Audio!
Tape Op is a bi-monthly magazine devoted to the art of record making.
Art is Alive is a solidarity effort aimed at providing resources, spreading awareness and building connectedness within the artistic and creative freelance communities impacted by the 2020 COVID-19 pandemic. Created by artist Rhiannon Giddens, and...
In issue 32 we had a short review of Linda Smith's current CD. Even though we meant to get an interview with Linda in the mag at some point, for some reason it never quite happened. Jump to 2011 and Linda has assembled a site full of MP3's of her...
Don't forget, if you happen to be in Austin next week for some big music even, like SXSW or something, that we're throwing a kick-ass party at the Lucky Lounge from 2-6 pm on March 15th, Thursday. Okay? RSVP HERE!
Check out the new episode from our Creative Recording With Tape Op series!
Larry and Geoff discuss the best place to spend your hard earned cash when starting a studio. This episode made possible with support from our friends at...
Legendary British sound engineer and producer Andy Johns has died at the age of 61.
During his more-than-thirty-year career, Johns worked with some of rock music's biggest names, engineering records for Led Zeppelin, The Rolling Stones, Eric...
My pal just sent me this awesome piece written by a screenwriter about people asking him to read their scripts. And yes, I think anyone who works in whatever given field can understand this. Damned if you do, and an asshole if you don't. And of...
An Osees album with no guitars??? Yes, you heard that right, but fans of the band need not worry! SORCS 80 has all of the experimental punk rock attitude and delivery the band is known for, only on this album it's framed by heavy synths, bass,...
Wall Street PR reports on the woes of Avid, the company behind Pro Tools. What does the future hold?
I'm just terrified of having to learn a new platform, buying more gear and software, and there not being a de facto DAW standard for professional...
Your magazine was not the first place I'd seen Count's "I Have a Credit Problem" essay [Tape Op #89], but I feel compelled to respond.
I agree with his general ideas - credits should be shown, and the current "album experience" in the digital...