I didn't do this video. But the guy who did must be spying on me. You can replace the style of music with any style, but the conversation is the same. (Recording Engineers, you can replace mastering with 'my friend has a hacked copy of Cubase.')
Tape Op is a bi-monthly magazine devoted to the art of record making.
A while back I had an interesting session recording auditions and providing camera audio feed over the course of three days for 24 instrumental and vocal performers, all of whom were hoping to get on the roster with Cirque du Soleil. Roger...
Weirdest email to Tape Op ever? This one takes the cake. Delusional. -Larry
From: XXXXXXX
Date: June 18, 2011 12:56:02 PM PDTTo: larry@tapeop.comSubject: LETTER OF INQUIREHope that Mr. Larry Crane will receive this...
Tape Op lost a good friend last night when our pal Neal Casal left us all behind. Neal was a gifted guitarist, songwriter, singer, photographer, producer, surfer and just an all-around good dude.
I was lucky to work with Neal on some...
I'm about to write something that at first will seem like another gray-beard waxing nostalgic for a by-gone analog era. But, stick with me, because I think the tables are turning to where going analog might be as forward-thinking as it gets.
Let's...
I've received a few pretty odd emails recently. I know times are tough, unemployment sucks, but really, expecting any sort of "bailout" from the music biz has got to be the most delusional crap I've come across. Making a living in music requires hard...
I was on some webpage at the studio the other day, dealing with plug-in upgrades or such, when I noticed Google was placing profiled ads in front of me. Ironically, as I was in a pro studio, most were trying to refer me to recoridng schools (a bit...
Going through some archives I came across this priceless piece of history: its the rate card from the studio my friends and I used to go to. You can see it here:. After years of nagging, we did get him to discount our rate to $50 an hour,...
In February 2000, I was lucky enough to record the legendary Australian group, The Go-Betweens, for their "comeback" album, The Friends of Rachel Worth. I'd done an interview with Robert Forster for Tape Op the year before, which – along with...