We interviewed Meridian Brothers mastermind Eblis Álvarez for Tape Op issue #158, and they have just released their new album, Mi Latinoamérica Sufre, featuring singles and videos "Sé Que Estoy Cambiando" and "Mandala".
by Alex Maiolo
One of our patron saints of recording, Mitch Easter [Tape Op #21], turns 70 today. That's almost irrelevant, as this treasure of a human should be celebrated every day, but it prompted me to write about his impact.
Like anyone,...
Here's a tip that costs nothing for materials, might be good for the environment, and can save some headaches down the road. I don't know about you, but our Postal Delivery Person insists on bundling our mail in rubber bands (gum bands for our...
June 21st marked the release of a new Menahan Street Band EP, Tropical Man. We interviewed band member Tommy Brenneck for Tape Op issue #147. Tropical Man is a six song EP that has just two songs, but multiple versions/mixes of each. Both...
Our busy friends over at the Future of Music Coalition have released a study, “Same Old Song: An Analysis of Radio Playlists in a Post FCC-Consent Decree World”. Check it out - basically the major radio stations owners - Clear Channel,...
CASE ONE:
Many years ago I was sent a very complex piece of recording equipment to review. It basically performed one simple function; but its inherent design was the concept that every parameter could be adjusted. Some similar devices I already...
We interviewed Jim Keller of Sondhus in issue #142. Sondhus (SAHN - duss) is an architectural acoustics design and build firm specializing in recording studios. They have designed and built studios for the likes of Depeche Mode, Apple, Heba Kadry,...
Dear Tape Op Readers,
We are feeling overwhelmed and deeply saddened by the death of George Floyd. Unfortunately this is far from an isolated incident.
Our voices and collective action have never been more needed than right now.
Human...
When we ran a page featuring senior contributor Garrett Haines' "Building Troubleshooting Skills" in Tape Op #84 I never expected to get the kind of replies we did below. The Letters section for upcoming issues was too full, so I'm posting these...
Garret Haines wrote a thorough review of this UAD plug-in in Tape Op #106. You should read it. Here are a few of Geoff Stanfield’s thoughts on a plug-in that he has come to use and love, not only for its sonic closeness to the original, but...