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In editor Larry Crane's recent End Rant [Tape Op #127], he talked about how people are currently learning recording techniques, all of the misinformation on the internet, and how this leads to the homogenization of music making in general. All of the...
head-fi: n, audiophile-grade headphone systems.portable: adj, able to be easily carried. The record industry is about twenty-five years into a massive devaluation of its products. This devaluation is not due to some invisible calculus the way, say,...
Hey Tape Op Readers! The AES Show will be online this year and you can get your FREE AES SHOWCASE pass (Showcase is from Oct 19 - 23 and will be on-demand until January) by using VIP code AES2020TapeOp at checkout! Offer good until Sept...
In February 2000, I was lucky enough to record the legendary Australian group, The Go-Betweens, for their "comeback" album, The Friends of Rachel Worth. I'd done an interview with Robert Forster for Tape Op the year before, which – along with...
Cedric Burnside performs "Love Her 'Til I Die" for the OneMic Series!
We got this letter from J. Robert Lennon, a sometimes contributor here at Tape Op. I figured I'd better answer it. -Larry Crane "A thought struck me while I was reading Adam Kagan's very informative review of the Chandler Little Devil...
Tape Op contributor, Chris Mara, has organized an amazing studio event coming up. I wanted to go but sessions have stopped me. If you can make it, this sounds like a lot of fun. Tape Op Messageboard Thread and instructions Welcome to 1979 Studio
As we exit the era of digital audio data compression and begin the ascent into higher sample rates for consumer consumption (via multiple platforms, though most popularly Neil Young's PONO system), we are finding ourselves as a community of...
This issue’s cover is an homage to the Pink Floyd song “Echoes,” from the album Meddle. The idea came to me after I saw Brian T. Silak’s photo of Jack Antonoff’s vintage tape delays, as the Binson Echorec...
