When we ran a page featuring senior contributor Garrett Haines' "Building Troubleshooting Skills" in Tape Op #84 I never expected to get the kind of replies we did below. The Letters section for upcoming issues was too full, so I'm posting these...
It wasn’t that long ago that when you went into the studio you basically disappeared from the rest of the world into a place with few (or no) windows, and low light. Where time seemed to have a way of getting distorted, finding yourself rolling...
Looking forward to seeing many of you at this year's AES convention in NYC! CLICK HERE to get your free badge courtesy of Tape Op!
I’m normally not that into live albums, but Nils Frahm is not a normal musician. I saw him play live in 2018 when I interviewed him for Tape Op, and it was hard to believe that he was the only musician on stage. Blending electronic elements...
Hard to believe that 2022 is already coming to a close. As was true in 2021, it was obvious that as the world was on lock down, artists were busy using their time to be creative and the result was an incredible amount of fantastic releases across...
Well friends, there were just too many great albums this year, and so here is the "Rest of the Best". Andy and John both had super extensive year end favorites lists and make up the bulk of this list. I will need a good chunk of 2023 to dig in to...
If you want to stay in business you need to record all kinds of bands, including those you don't care for. (This is actually a shock to some people. It is. They don't last long, and their refusal to work with anyone except bands they hand-pick is...
What another great year for music! It is always a challenge to sit down, reflect and try to narrow down all our favorite albums of the year (let alone a full decade!) into a simple list. Here at Tape Op we are frequently making music suggestions...
***This is a guest "re-post" from the SoundGirls website (courtesy of SoundGirls and Ainjel Emme)*** THE DOUBLE GLAZED GLASS CEILING: Women and the Grammy for "Producer of the Year, Non-Classical" by Ainjel Emme (originally...
