Larry Crane and Geoff Stanfield discuss Bus Processing in the new episode of Creative Recording with Tape Op! Be sure to head on over to our YouTube channel and hit the subscribe and like buttons! Episode made possible with support from BURL Audio!
Tape Op is a bi-monthly magazine devoted to the art of record making.
I recently mixed my first album entirely on my laptop. Yeah, maybe I'm a decade behind the curve but I also own a studio and have done a majority of my work there. On this job we were attempting to cut and mix a record in three days and we didn't...
Check out the latest episode of our Creative Recording with Tape Op video series. Tape Op's editor, Larry Crane, and our online publisher, Geoff Stanfield discuss the oft-debated topic of how to pan the drums when mixing!
This three song EP from Jonathan Wilson and Milton Nascimento was not what I expected. I am a fan of both artists, but Moon Over Minas caught me off guard! It is a reverb-soaked, haunting, and psychedelic listen that leans much more to the sound of...
Well known producer/engineer Roger Nichols is currently battling cancer, and we send him our best hopes and thoughts. Please visit his website.
George at MIX Mag had this to say:
ROGER NICHOLS NEEDS YOUR...
June 21st marked the release of a new Menahan Street Band EP, Tropical Man. We interviewed band member Tommy Brenneck for Tape Op issue #147. Tropical Man is a six song EP that has just two songs, but multiple versions/mixes of each. Both...
Just a quick note about the upcoming Audio Engineering Society (AES) convention in Los Angeles. We have arranged for all Tape Op readers to receive a free Exhibits Plus Badge to the convention. This badge is good for the Exhibition PLUS all...
In a fascinating and really open Facebook debate initiated by fellow producer, cycling enthuiasist, and coffee-drinking pal, Eric Ambel (www.ericambel.com), I was alerted to what was finally a clear insight into how and why Spotify could possibly...
Your magazine was not the first place I'd seen Count's "I Have a Credit Problem" essay [Tape Op #89], but I feel compelled to respond.
I agree with his general ideas - credits should be shown, and the current "album experience" in the digital...