Woodland is the name of Gillian Welch and David Rawling’s studio in Nashville, and it’s also the name of their new album. On Woodland, the duo continue to show their deep connection as collaborators. The album has a wide open sound that features their seemlessly blended and intimately recorded vocals, and the light touch of a backing band that includes drums, bass, pedal steel, banjo, and airy strings on tunes like "What We Had" and "Hashtag". "Lawman" and "The Bells and the Birds" have a lovely somberness, and the album as a whole has a "live off the floor" feeling to it that we hear less and less of these days. Woodland will stay in our "recently played" column for the forseeable future.
We interviewed Gillian and Dave back in 2001 for Tape Op #85.
Tape Op is a bi-monthly magazine devoted to the art of record making.
MFNW Music & Technology Panel Announced for Portland Digital eXperience
August 16, 2012 - Portland, OR -- The first year of Portland Digital eXperience at the 2012 MFNW will feature a special music and technology panel with some of...
Our pal, Howard Massey, has a new book out, Behind The Glass Volume II. Volume I was a real treat, and Howard also co-wrote Geoff Emerick's excellent Here, There and Everywhere: My Life Recording the Music of the Beatles. There's a ridiculous amount...
I was fortunate enough to get an Apogee Duet 2 recently. This device hooks up to your computer's USB port (and is powered from there) and allows you to monitor audio. I'm not gonna go into all the details, see our review of the original Duet. At...
Many Recording Studios use Apple OS-based machines. Those users know Macs can read Microsoft NFTS (New Technology File System) volumes, but not write to them. If your OSX studio needs to write to Windows NFTS, then you need a...
It's not Idol, technically, but America's Got Talent and its dentally-impaired overseas cousin are still franchises helmed by Simon Cowell, who I think we can all agree has become somewhat of a figurehead for shitty pop music and...
Well, not my maker but the man behind the baby that is our RND5088 console at Jackpot! I got to spend a little time (and a photoshoot) with Rupert Neve at The Magic Shop in NYC during the AES convention last week. Thanks to Steve Rosenthal for...
Matt McGlynn over at the informative Recording Hacks site has a section devoted to Tape Op mic reviews. Not all of them are up yet, and we're not quite sure why he wanted to tackle this project (crazy? smart? nice guy?) but it's up there. Now I can...
Well known producer/engineer Roger Nichols is currently battling cancer, and we send him our best hopes and thoughts. Please visit his website.
George at MIX Mag had this to say:
ROGER NICHOLS NEEDS YOUR...
Garret Haines wrote a thorough review of this UAD plug-in in Tape Op #106. You should read it. Here are a few of Geoff Stanfield’s thoughts on a plug-in that he has come to use and love, not only for its sonic closeness to the original, but...