Join the Copyright Alliance in protesting ad-supported pirate media websites. Sign the petition here. Thanks!
It's not Idol, technically, but America's Got Talent and its dentally-impaired overseas cousin are still franchises helmed by Simon Cowell, who I think we can all agree has become somewhat of a figurehead for shitty pop music and...
Remember Nino from issue #67? His new Bird and Egg Recording Studio is hosting "an open house of sorts. On Sunday, October 18th between the hours of 2pm and 6pm Bird and Egg will be open for you to see and feel. There will be wine and hors d'ouvres...
I opened my commercial recording studio (Jackpot! Recording) in 1997, after years of simultaneously having a busy home studio while working day jobs to pay the rent. Making this leap to a full-time recording engineer/studio owner was terrifying. I...
Malian guitarist Mdou Moctar's new release, Funeral for Justice, is a wild ride. From the almost Iron Maiden-sounding moments of the title track "Funeral for Justice", to the frentic energy of "Sousoume Tamacheq", to the ethereal and more...
I'll be attending and pretending to be a panelist at The 2nd Annual Recording Summit in Nashville, held Nov 12-14 at Welcome to 1979 Studios. Check the link above to become part of this crazy cool event!
Larry Crane 1. David Gilmour - Luck and StrangeThe fifth solo album by Pink Floyd's guitarist/vocalist is an incredibly strong release full of beautiful, haunting songs and – of course – great guitar solos. Co-produced by David...
With news of Neil Young pushing to get studio quality audio out to the consumer, it occurred to me that it would be good to get some perspective on how we go about comparing audio quality. One of the most problematic issues surrounding audio...
I politely asked Youtube to remove a song by my old band that someone had posted without permission. They took it down but then apologized "sorry about that" and ran my business name as if "blaming me" for removing content. Really? Wow. Pretty...
Garret Haines wrote a thorough review of this UAD plug-in in Tape Op #106. You should read it. Here are a few of Geoff Stanfield’s thoughts on a plug-in that he has come to use and love, not only for its sonic closeness to the original, but...
