There are Giorgio Morodor vibes on tracks like "Volume" and plenty of driving four-on-the floor beats with bubbling basslines throughout. Tempos on the whole are edgy, sometimes hyper and unsettled, but it maintains a grooviness that will keep the dancefloor full of undulating bodies.
Larry Crane adds an update to Eli Crews' original review of the Little Labs Redcloud 8810U8ERS Attenuator Pack. Eli Crews did a great job of explaining this 8 channel attenuator eight years ago. What I find interesting is how, many years...
Tape Op contributor Allen Farmelo sent us this thoughtful piece on why the mag doesn't feature many "negative" reviews. Makes sense to me. I imagine anyone out there wanting us to write reviews ripping apart gear all the time still might come up...
It's not Idol, technically, but America's Got Talent and its dentally-impaired overseas cousin are still franchises helmed by Simon Cowell, who I think we can all agree has become somewhat of a figurehead for shitty pop music and...
In February 2000, I was lucky enough to record the legendary Australian group, The Go-Betweens, for their "comeback" album, The Friends of Rachel Worth. I'd done an interview with Robert Forster for Tape Op the year before, which – along with...
Well, not my maker but the man behind the baby that is our RND5088 console at Jackpot! I got to spend a little time (and a photoshoot) with Rupert Neve at The Magic Shop in NYC during the AES convention last week. Thanks to Steve Rosenthal for...
Here's a clip of a rare Rolling Stone interview with the Lizard King talking about making records around 2 1/2 minutes in. “I could never produce ... because I don’t have the patience for it. I think that’s the main thing. Who's...
The worldwide COVID-19 situation is affecting us all at this moment. Years ago I was a gigging musician and restaurant worker, and I feel I essentially still live a gig economy life - depending on Tape Op and studio bookings for personal income....
FKA twigs has long been a semi-underground favorite, and it would seem that her goal has never been to crack the mainstream at the expense of an artistic expression. With her new album, Eusexua, the door to an even larger audience may be cracked...
Years ago John Fischbach, a well-established and respected producer/engineer, came to my studio to record an album that our mutual friend, Luther Russell, was producing. [See Tape Op #21.] In those days my studio, Jackpot! Recording, was a diamond...
