More Entries
Blog
In defense, unsuccessfully, of Auto-Tune
by Vijith Assar
Simultaneously making apparent the depths of both my dorkiness and my loyalty, I steadfastly stood by Imogen Heap's "Hide and Seek" all through its various tribulations over the last couple years -- first with its questionable placement on the OC,...
Blog
Legendary Malibu Studio Indigo Ranch Is Auctioning Off Its Remaining Collection of Gear
by Dave Middleton
Richard Kaplan, owner engineer of famed recording studio Indigo Ranch [Tape Op #103] is selling the remainder of his classic equipment collection. It includes vintage and rare pieces by API, Aengus, Fairchild, Teletronix, Neumann and...
Blog
Herb Alpert: 50
by Geoff Stanfield
We interviewed Herb Alpert in Tape Op #140, and he hasn't slowed down since. He just released his 50th album, aptly titled 50. It is yet another prime example of the lounge pop genre he all but invented with The Tijuana Brass starting in the...
Blog
Free Passes to AES Show 2020
by Geoff Stanfield
Hey Tape Op Readers! The AES Show will be online this year and you can get your FREE AES SHOWCASE pass (Showcase is from Oct 19 - 23 and will be on-demand until January) by using VIP code AES2020TapeOp at checkout! Offer good until Sept...
Blog
New SASAMI Single and Video: "Honeycrash"
by Geoff Stanfield
Check out the new video and single "Honeycrash" from SASAMI (#157). Produced by Jennifer Decilveo, who is interviewed in our May issue. Listen to "Honeycrash" Check out our interviews with SASAMI and Jennifer here: SASAMI Tape...
Blog
I Hate Those Ads Where Plug-Ins Look Like Physical Gear
by Larry Crane
You know those ads? Yeah, some Photoshop jockey took the GUI of a plug-in and made it look like a piece of outboard gear, a synth or something. Drives me nuts. For years I couldn't figure out if one plug-in, I think it was Trilogy, was "real" or...
Blog
OneMic Series: The Imaginaries at Muscle Shoals Sound Studio
by Geoff Stanfield
John Cuniberti's OneMic Series presents The Imaginaries at Muscle Shoals Sound Studio!
Blog
All In
by Larry Crane
I opened my commercial recording studio (Jackpot! Recording) in 1997, after years of simultaneously having a busy home studio while working day jobs to pay the rent. Making this leap to a full-time recording engineer/studio owner was terrifying. I...