Check out the latest episode of our Creative Recording with Tape Op video series. Tape Op's editor, Larry Crane, and our online publisher, Geoff Stanfield discuss the oft-debated topic of how to pan the drums when mixing!
Tape Op is a bi-monthly magazine devoted to the art of record making.
Yup, we're finally back on track with clothing here at the US branch of Tape Op. Check it all out, plus back issues, at Good Mountain, our new supplier of direct mail order goodies for Tape Op.
I’ve been a fan of the band Nada Surf for several decades now. They’re one of the few bands from the 1990s that have continued to make catchy, smart, guitar-based pop music that also managed to stay relevant, releasing records in 2024...
Your magazine was not the first place I'd seen Count's "I Have a Credit Problem" essay [Tape Op #89], but I feel compelled to respond.
I agree with his general ideas - credits should be shown, and the current "album experience" in the digital...
I just finished reading your article, "My Unwritten (Until Now) "Rules" in the studio," Tape Op #85. Let me offer up a few words of wisdom on your well-written points.
- Don't play music by other artists: In 1978 I was working with a...
(me and Elliott rolling in Jackpot!'s original MCI JH-16, Feb. 1997)
As most readers of Tape Op may have picked up on by now, I have been involved in the archiving and cataloging of the music of my late friend, Elliott Smith. Here's an interview I...
By Pete Droge
Recently, I unearthed a cassette tape from a box labeled "late 90s." The spine read "Warren Pash at Got Wheels." The tape contained two Pash originals I produced, engineered, and mixed: "Blue River" and "Bones & Stones."
...
This three song EP from Jonathan Wilson and Milton Nascimento was not what I expected. I am a fan of both artists, but Moon Over Minas caught me off guard! It is a reverb-soaked, haunting, and psychedelic listen that leans much more to the sound of...