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by John Baccigaluppi It may not be obvious, but as this magazine’s graphic designer, the recently passed Vaughan Oliver was a major influence on the look of Tape Op Magazine. Being someone who’s not involved with social media, and as...
Many Recording Studios use Apple OS-based machines. Those users know Macs can read Microsoft NFTS (New Technology File System) volumes, but not write to them. If your OSX studio needs to write to Windows NFTS, then you need a...
The 129th AES Convention takes place Nov 4-7, and the Exhibitor's Hall is open Nov 5-7, where we'll be sitting patiently at a table giving away Tape Op magazines to passers by and answering questions about where the bathrooms are located and...
I received several CDs recently, notably the Monsters of Folk (Jim James, M. Ward, Conor Oberst and Mike Mogis) and Porcupine Tree's The Incident, that I really wanted to listen to but was unable to hear. Why? Because these promo discs were...
You've probably heard stuff about the stupid-loud Metallica album. Idolator rang me up for some comments. Check it out.
Studio Engineering and Recording – School of Music, Dance and TheatreHerberger Institute for Design and the Arts at Arizona State University The School of Music, Dance and Theatre at Arizona State University seeks an exceptional...
I just finished reading your article, "My Unwritten (Until Now) "Rules" in the studio," Tape Op #85. Let me offer up a few words of wisdom on your well-written points. - Don't play music by other artists: In 1978 I was working with a...
In February 2000, I was lucky enough to record the legendary Australian group, The Go-Betweens, for their "comeback" album, The Friends of Rachel Worth. I'd done an interview with Robert Forster for Tape Op the year before, which – along with...
