There are Giorgio Morodor vibes on tracks like "Volume" and plenty of driving four-on-the floor beats with bubbling basslines throughout. Tempos on the whole are edgy, sometimes hyper and unsettled, but it maintains a grooviness that will keep the dancefloor full of undulating bodies.
Here's a guest spot from our pal Larry Devivo. It didn't quite fit a reply for Tape Op letters, but it's a great story and I wanted to share it. -LC There is a new microphone made called the Lucas CS-1. This mic is the brainchild of Terry Manning...
In issue #62, Josh Boughey reviewed the Monome 40h, a minimalist button-and-light interface which can be used to run musical applications. It's absolutely captivating in its simplicity; I'm writing this as an outsider, but as far as I can tell, the...
Steve AlbiniRemembered by Larry Crane On Jan 19, 1987, I clambered aboard a yacht in Emeryville, CA, to interview Steve Albini and the band Big Black for BravEar Magazine, a conversation that unfortunately was never published due to the mag folding...
After 20 years at the Davis Square location (and a previous 15 years on Albany Street), Boston’s Q Division Studios had to close its doors in July of 2021. Through the years, Q Division was host to a diverse group of artists, including Aimee...
Popular music owes a serious debt to Quincy Jones, and he rightly has a place on the list of greatest music producers of all time. He passed away November 3rd, at the age of 91. I was listening to Quincy Jones before I even knew I was listening to...
You've probably heard stuff about the stupid-loud Metallica album. Idolator rang me up for some comments. Check it out.
Yup, we're finally back on track with clothing here at the US branch of Tape Op. Check it all out, plus back issues, at Good Mountain, our new supplier of direct mail order goodies for Tape Op.
Check out Ross Healy's VICMODBLOG on analog modular synths. He interviews "people who build and sell modular gear and forgotten electronic musicians." Cool stuff.
