We interviewed SASAMI back in Tape Op #157 and now she has a new single and video, “In Love with a Memory". The song was co-produced with Rostam, and features lo-fi songstress Clairo. The full album, Blood on the Silver Screen is out March 7 on Domino Records.
Tape Op is a bi-monthly magazine devoted to the art of record making.
Here's a recent email I received:
"I am interested in what you do and how you do it. I guess I am not the average person looking to get into audio engineering. I am 44 and I am an anesthesiologist looking for a second career. I am an audiophile,...
A few years ago a Northwest music mag (now defunct) interviewed some Portland "best new band" character and the moron spouted out that nothing had been going on in Portland before his band moved to town - that this was the turning point when...
We are witnessing the dawn of dramatic format changes for audio delivery. On the one hand, we now have streaming audio and, on the other hand, we have the movement away from compressed digital formats toward higher-resolution digital files. The CD...
Okay, I'll admit I vote for the Grammies. Yup. Why? Besides the sometimes odd spectacle of the Grammy Awards, NARAS does some cool stuff in the music community (like the Seattle Studio Summit), MusiCares and the Producers and Engineers Wing. So I do...
By Pete Droge
Recently, I unearthed a cassette tape from a box labeled "late 90s." The spine read "Warren Pash at Got Wheels." The tape contained two Pash originals I produced, engineered, and mixed: "Blue River" and "Bones & Stones."
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Woodland is the name of Gillian Welch and David Rawling’s studio in Nashville, and it’s also the name of their new album. On Woodland, the duo continue to show their deep connection as collaborators. The album has a wide open sound that...
In February 2000, I was lucky enough to record the legendary Australian group, The Go-Betweens, for their "comeback" album, The Friends of Rachel Worth. I'd done an interview with Robert Forster for Tape Op the year before, which – along with...
I recently have been digging through the Tape Op archives looking for writing, reviews and stuff we can post online. And I just found this snippet of hilariousness from Issue #7 in the Fall of 1997. Oh man, maybe I shouldn't post this... all...