Larry’s intro to issue #71 was one of his most important notes for engineers in a long time. It’s easy to press play, but not pay attention to the audio hitting our ears. (Have you ever read a book and found your eyes are scanning over...
My pal Ethan Winer is half of the company Real Traps and hosts a page of all sorts of articles and information about acoustics and control rooms at this site: Real Traps One of my favorite pieces nearly ended up in Tape Op Magazine but after I...
Vist Udi Koomran's special website ("MUSIC ENTHUSIAST AUDIO ENGINEER, PRODUCER FROM TEL AVIV ISRAEL. RECORDING MIXING AND MASTERING ORIGINAL AND CHALLENGING MUSIC IS MY PASSION.") and check out a fantastic interview with Etienne...
Eric Liljestrand remembers his friend and working partner Hal Willner Hal and I spent countless hours, days, weeks, months in dark rooms all over creating some of the most original albums and film scores the world will ever hear. A solid third of...
Yup, I sit at my computer all day editing articles, writing stuff for the mag and answering the ridiculous amount of emails that always seep in over the course of a day. illus by Eva Kihl
By November 24th we will have installed a new Rupert Neve Designs 5088 console at my studio, Jackpot! Recording Studio, in Portland, OR. Excited? Of course. And look, no EQ, no preamps and no automation. Just pure, perfect analog mixdown heaven. You...
For their eighth (!!!) release in three years, King Gizzard and the Lizard Wizard give the world Butterfly 3000. It is hard to know what to expect from this band of Aussies. They have spanned the genre spectrum with metal, garage-psychedelia,...
Rochester, NY’s The Chesterfield Kings have been leading their own garage rock revival since the late ‘70s. The new LP, We're Still All The Same, was recorded at Fab Gear Studios in Rochester, NY, and produced by Ed Stasium (Tape Op...
Yes, this is where I found myself running Pro Tools today. I WAS able to combine my favorite things: cooking, beer, coffee and recording.
