So, Fort George Brewery & Public House in Astoria, OR, made an actual Tape Op-branded craft beer. It's called Overdub IPA, and it looks like this: Here is what Fort George had to say about their creation: A good beer is like a good sound...
Still openings: Larry Crane Recording Workshop in Portland, Aug 17/18, 2013 at Jackpot! Recording Studio. http://bit.ly/13sJ0Ds
In editor Larry Crane's recent End Rant [Tape Op #127], he talked about how people are currently learning recording techniques, all of the misinformation on the internet, and how this leads to the homogenization of music making in general. All of the...
So here's a pile of CDs I'm supposed to be listening to right now instead of enjoying The Skids' Sweet Suburbia album. Some of these I actually bought (so I should be enjoying them I guess) and some were handed over by friends (yes, the Scott...
Over the last few years we've seen an explosion of online music services. Pandora, iTunes, Spotify, Rhapsody, Soundcloud and dozens of other platforms are touted as groundbreaking ways to deliver music to listeners. But this success is on the...
By November 24th we will have installed a new Rupert Neve Designs 5088 console at my studio, Jackpot! Recording Studio, in Portland, OR. Excited? Of course. And look, no EQ, no preamps and no automation. Just pure, perfect analog mixdown heaven. You...
Vinnie Castaldo was in the new issue of Tape Op. Check out his reviews of his two fave educational DVDs. -LC Trust Your Ears: The Drum Tech Explorations of Jeff Ocheltree If you’re like me, always getting stuck tuning drums before a session,...
Across more than 100 tracks, MEMPHIS captures Elvis from the earliest stages of his career at Sun Records/Memphis Recording Service to his final recordings in Graceland’s Jungle Room, with stops at other iconic studios such as American and...
Garret Haines wrote a thorough review of this UAD plug-in in Tape Op #106. You should read it. Here are a few of Geoff Stanfield’s thoughts on a plug-in that he has come to use and love, not only for its sonic closeness to the original, but...
