Larry Crane and Geoff Stanfield discuss Bus Processing in the new episode of Creative Recording with Tape Op! Be sure to head on over to our YouTube channel and hit the subscribe and like buttons! Episode made possible with support from BURL Audio!
Tape Op is a bi-monthly magazine devoted to the art of record making.
Wall Street PR reports on the woes of Avid, the company behind Pro Tools. What does the future hold?
I'm just terrified of having to learn a new platform, buying more gear and software, and there not being a de facto DAW standard for professional...
A while back I had an interesting session recording auditions and providing camera audio feed over the course of three days for 24 instrumental and vocal performers, all of whom were hoping to get on the roster with Cirque du Soleil. Roger...
Bassist, singer, and songwriter, esperanza spalding, (Tape Op #147) has just released new music, a collaboration with Brazilian legend Milton Nascimento.
Milton + esperanza is a delightful listen that has foundational roots in Brazilian...
James Beaudreau is a former member of the Billy Nayer Show (1998-2003) and started Workbench Recordings - a netlabel, blog, and recording studio in NYC. They release one track every Tuesday along with artwork and texts about the creative process,...
James Goss has interviewed many independent record store owners across the country to see how they stay in business and what they sell. Every month a new store will be profiled with interviews and photos. Pretty fun. Here's the link: Vinyl Lives
I finally figured out what makes for a successful tracking session: simply eliminate the variables. On one level this could be seen as pre-production combined with concise decision making. Certainly those can help - but what I'm talking about is...
Yup. From 1985 to 1993 I was in a band with the polite name of Vomit Launch. One of our songs, "Exit Lines" is in a movie called "The Wackness", in theaters now. A pretty damn good movie, and our song fits the scene too well! Most of our back catalog...
This issue’s cover is an homage to the Pink Floyd song “Echoes,” from the album Meddle. The idea came to me after I saw Brian T. Silak’s photo of Jack Antonoff’s vintage tape delays, as the Binson Echorec...