Seems like it's Sylvia Massy week over here at Tape Op! Here is another cool session trailer from Mix With The Masters where Sylvia records the Melvins!
Our pal, Marc Bianchi of Her Space Holiday is guest editing Magnet Magazine this week. He has some nice things to say about Tape Op, and as one of our original readers we thank him for the log time support and writing about us. Plus adding the video...
NYC-based duo Cults have just released their fifth album, To the Ghosts. The album was co-produced by the band's Brian Oblivion and Madeline Follin with Shane Stoneback, mixed by John Congleton and mastered by Heba Kadry. Check out Cults on the...
Hey, have a listen to the panel we did at SXSW. Jesse Lauter is an American producer/mixer/engineer. He has worked with The Low Anthem, James Blood Ulmer, Ingrid Michaelson, Elvis Perkins, Marco Benevento, Smokey Hormel, Alela Diane, Diamond...
This issue’s cover is an homage to the Pink Floyd song “Echoes,” from the album Meddle. The idea came to me after I saw Brian T. Silak’s photo of Jack Antonoff’s vintage tape delays, as the Binson Echorec...
When we ran a page featuring senior contributor Garrett Haines' "Building Troubleshooting Skills" in Tape Op #84 I never expected to get the kind of replies we did below. The Letters section for upcoming issues was too full, so I'm posting these...
In issue 32 we had a short review of Linda Smith's current CD. Even though we meant to get an interview with Linda in the mag at some point, for some reason it never quite happened. Jump to 2011 and Linda has assembled a site full of MP3's of her...
Our pal Ronan Chris Murphy does this cool "TV" show on his site, http://ronansrecordingshow.com, and the most recent one is with me and John Baccigaluppi where we talk about Tape Op Magazine. I think it's a good insight into how the mag works and who...
Yup, we're finally back on track with clothing here at the US branch of Tape Op. Check it all out, plus back issues, at Good Mountain, our new supplier of direct mail order goodies for Tape Op.
