Tape Op contributor Allen Farmelo has written a fairly in-depth post regarding his processes for capturing and processing sounds on his wonderful blog. Check it out. I bet even some experienced engineers will take note of some of the ideas Allen puts forth, I know I did. Even though I don't exactly use the same methodology, I do apply some of the same principles in different ways. A typical "Larry Crane" album will have basic tracks through a multitude of mic preamps picked for each instrument, tracked to 2" tape (16- or 24-track, speed and EQ picked for the "sound"), dumped to Pro Tools through Apogee Rosetta 800s, overdubbed in Pro Tools and mixed through the Rupert Neve Designs 5088 console with almost all analog EQ, compression and effects to 1/4" tape at usually 30 ips. That's a lot of tonal coloration going on and many subtle steps that affect the sound. And I like the results!
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Access Some Other Guy's Outboard Gear Online?
by Larry Crane
What? Huh? That's right, now you can "use classic studio gear online." This guy Fredrik created some way to remotely set compressors and equalizers and then pass your audio through them. Pretty genius and probably the wave of the future for certain...